Partituras de París

A concertina-style, chromatic left-hand broken chord pattern gives the unmistakable flavor of Paris as the intermediate level pianist performs a gentle, romantic waltz in A minor. There are subtle swi...

El álbum número uno Come Away with Me convirtió a Norah Jones en una de las artistas más importantes del año. Su antiguo director de coro, Paris Rutherford, ha arreglado con buen gusto este sencillo e...

This jazz standard by the great Dizzy Gillespie is here arranged using an alternating Latin Swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat sect...

Steve Allen was a multi-talented musician and television personality. His 1963 collaboration with Ray Brown resulted in a Grammy award for best jazz composition. Vocal jazz choirs will enjoy sharing i...

The signature song of French singer Édith Piaf, this popular song from 1945 has been arranged in the capable hands of Paris Rutherford. Charming and accessible vocal ranges will make this a mainstay i...

The theme song from the 1967 James Bond spoof Casino Royale is a beautiful song by the dynanic writing duo of Burt Bacharach and Hal David. Recorded by many singers representing countless musical styl...

Utilizing unison lines in an easy Beatles Groove, this is a wonderful vocal jazz setting for intermediate to early advanced vocal jazz choirs. Young scat singers will be able to feel the chord changes...

Beautiful is what you will say when you hear this gorgeous a cappella setting of the pop hit by Billy Preston, originally recorded by Joe Cocker. Expressive melodic contours and carefully crafted harm...

It's alright, indeed! This bright Beatles classic is ideal for younger or developing vocal jazz ensembles, with a straight ahead acoustic approach and a few harmonic and rhythmic surprises sprinkled i...

Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery...

You'll love the smooth style of the jazz standard by Jerome Kern in a well-crafted setting by Paris Rutherford. Available for SATB a cappella. Performance Time: Approx. 3:00.

Here is the quintessential jazz classic by Josef Zawinul with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. Previously only available for mixed...

Showcase your vocal jazz group with this accessible setting of the Ella Fitzgerald/Count Basie standard. Swing style, jazz harmonies, group scat and solo improvisation make this a great selection for...

Originally written by Stevie Wonder in the 1970s for Sergio Mendez this tune was recently covered by Vanessa Williams and its cool Latin groove gives it lots of appeal. A fantastic concert change of p...

Opening with bright bell tones, this Johnny Mercer/Jerome Kern standard moves into a laid back verse with interesting interplay between the vocals and the band. The walking bass at the end of the vers...

Duration: ca. 3:20.

Duration: ca. 3:20.

Showcase your vocal jazz group with this accessible setting of the Ella Fitzgerald/Count Basie standard. Swing style, jazz harmonies, group scat and solo improvisation make this a great selection for...

The four brothers of the Woody Herman sax section achieved legendary status with this tune; later Lambert, Hendricks and Ross recorded a vocal version, followed by Manhattan Transfer's rendition. Pari...

This jazz standard by the great Dizzy Gillespie is here arranged using an alternating Latin Swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat sect...

With a melody written by the legendary harmonica player Toots Thielemans, this jazz standard has been covered by 100s of musicians. This arrangement begins simply and purely allowing your jazz choir t...

Your group will really shine in performance with this popular Cy Coleman standard recently covered by Michael Bublé and arranged here in a hot swing style.

Originally written by Stevie Wonder in the 1970s for Sergio Mendez this tune was recently covered by Vanessa Williams and its cool Latin groove gives it lots of appeal. A fantastic concert change of p...