Partituras de Patrick M. Liebergen para coro mixto

Excellent 3-part writing, right on the mark for young men and women. Teach the song in English before introducing the optional French text (an IPA pronunciation guide is included). When your students...

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing...

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing...

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing...

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing...

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

This Italian madrigal from the Renaissance has been edited by Patrick Liebergen. It's a fun and tuneful madrigal in homophonic style with the traditional 'fa la las.' Madrigals are excellent for teach...

Arcadelt / ed. Liebergen

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Arcadelt is known for his homophonic, tuneful settings. Provided with a new English text by the editor, this late Renaissance work is perfect for the emerging mixed ensemble. The boys' range is limite...

A dramatic choral arrangement of the traditional spiritual, 'Oh, Mary, Don't You Weep,' with a compelling new text for Lent or Holy Week by Patrick Liebergen.

An excellent contest or festival work, this up-beat Baroque piece can be performed with standard accompaniment or with the addition of two flutes. An outstanding addition to the choral repertoire. Bar...

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the amens then followed b...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the amens then followed b...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

From Magnificat by Giovanni Battista Pergolesi, this canticle of the Blessed Virgin Mary text is wonderfully set. Carefully edited by Patrick Liebergen, this piece is excellent for advanced SATB group...

Originally scored for SSATB voices and instruments, this new edition for SATB voices uses a very supportive keyboard accompaniment. Based on Psalm 70, Pergolisi wrote it for the feast day of Saint Emi...

Originally scored for SSATB voices and instruments, this new edition for SATB voices uses a very supportive keyboard accompaniment. Based on Psalm 70, Pergolisi wrote it for the feast day of Saint Emi...

Taken from Mozart's Missa Solemnis, K. 337, this mass was Mozart's last completed work in this form. Modern clefs, metronomic and dynamic indications and an English version of the original Latin text...

Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...

Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...

From the Mozart Missa Brevis K. 258, this movement features a maestoso opening moving to the lively hosanna. The keyboard reduction of the original instrumentation works well to support the vocals. Id...