Partituras de Peter Maxwell Davies para conjunto

Partitur und Stimmen

Instrumentation: Piccolo * Bass Clarinet * Violoncello * Percussion (1 player) * Piano.

Flöte, Klarinette in B, Trompete in C, Posaune, Schlagwerk, Violine, Viola, Violoncello, Kontrabass

This piece was written as a tribute to the people of Fair Isle, a remote community that lies between Orkney and Shetland, which is also the home of the composer. The work was composed for the Grieg Tr...

Commissioned by the Primrose Piano Quartet with funding from the Scottish Arts Council, Mr and Mrs J. A. Pye's Charitable Settlement, the Royal Scottish Academy of Music and Drama, and the Hope-Scott...

The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turne...

There are seven songs and an instrumental interlude, making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the...

Klavierauszug mit Solostimmen

A Selkie Tale is a short music-theatre work (duration about 25 minutes) designed for performance by seven- to eleven-year-olds year olds. Four solo roles and several separate chorus groups give scope...

A cantata for soprano, flute, violin, cello and harpsichord/celeste, first performed in August 1970 at Dartington Hall Summer School by Mary Thomas and the Pierrot Players conducted by the composer. D...

A work for speaker and chamber ensemble commissioned by the Globe Playhouse Trust Ltd. , and was first performed at the Globe Playhouse in April 1972 by Ron Moody and the London Sinfonietta conducted...

This was first performed as part of a BBC promenade concert at the Royal Albert Hall in July 1973 by The Fires Of London, conducted by the composer. The violin doubles the harpsichord. A basset clarin...

A Mediterranean, erotic postlude to a time when Davies had been much occupied with setting the Orkney poetry of George Mackay Brown. The voice, though, is the same. The mezzo part is wide-ranging and...

Alto Flute, Bass Clarinet, Cello, Glockenspiel, Guitar, Harpsichord, Marimba, Mezzo-Soprano, Viola, Violin, Celeste Davies discovers aspects of himself in examining one of his most troubled predecesso...

There are seven songs and an instrumental interlude, making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the...

A cantata for soprano, flute, violin, cello and harpsichord/celeste, first performed in August 1970 at Dartington Hall Summer School by Mary Thomas and the Pierrot Players conducted by the composer. D...

There are seven songs and an instrumental interlude, making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the...

Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde. A new instrumentation restores this linked pair of dances from Davies's second full-length ballet, Caroline Mathilde...

Peter Maxwell Davies. A humorous version of the Orkney folk tale of an islander kidnapping a Selkie wife - a creature who is a seal in the sea and a woman on the land. Things go hilariously wrong, wit...

Peter Maxwell Davies. A superb cycle of 7 songs depicting the hero/heroine's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores, nature and ghosts and are ar...

This work for Clarinet in A, Violin, Cello and Piano was premiered in May 2002 in the Fitzwilliam Museum, Cambridge. The piece has a fast, rhythmic opening in which the violin and cello answer short...