Partituras de Robert Schumann para orquesta

36 Seiten.

44 Seiten.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Ba...

Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Ba...

The overture was written in just five days in December 1851. The starting point for this composition was Schumann's desire to use Goethe's work of the same name as a basis for a singspiel. The Marseil...

A late starter in music? After the 1841 premiere which was anything but promising, Schumann did not deal with his Fourth Symphony and put the finishing touches to it until 10 years later. One of its m...

The EULENBURG AUDIO+SCORE series contains the most important masterpieces of the concert and orchestra repertoire, thus being the ideal choice especially for beginning students and lovers of classical...

Harmony parts: piccolo flute, flute (2), oboe (2), clarinet (2), bassoon (2), horn (2), trumpet (2), snare drum

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...