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A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...
- Violonchelo y bajo continuo
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- Rainer Mohrs
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Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
- Violonchelo y piano
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- Fritz Zumkley
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Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...
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- Fritz Zumkley
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Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
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The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
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- Carl Schröder
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As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...
As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...
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- Heribert Breuer
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Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...
Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...
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Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...
Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...
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- Fritz Zumkley
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The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...
The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...
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Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight...
Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight...
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Sebastian Lee ist heute hauptsächlich wegen seines Unterrichtswerks für Violoncello bekannt. So gehören die 40 leichten Etüden opus 70 und die melodischen und melodisch-progressiven Etüden (opus 113 u...
Sebastian Lee ist heute hauptsächlich wegen seines Unterrichtswerks für Violoncello bekannt. So gehören die 40 leichten Etüden opus 70 und die melodischen und melodisch-progressiven Etüden (opus 113 u...
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- Rainer Mohrs
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Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early...
Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early...
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Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also perfor...
Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also perfor...
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Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...
Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...
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Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
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Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
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My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...
My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...
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