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Mansurjan's String Quartet No. 1 (1983-84) takes us 'on the long road of simplicity, on a wonderful journey during which the question whether this music is new or old can be answered very soon: It is...
Mansurjan's String Quartet No. 1 (1983-84) takes us 'on the long road of simplicity, on a wonderful journey during which the question whether this music is new or old can be answered very soon: It is...
- Cuarteto de Cuerda
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The work was composed in 1999 when a close member of composer's family fell seriously ill. The ode of lamentation is assigned to the two instruments in such a way that they play singly in swift succes...
The work was composed in 1999 when a close member of composer's family fell seriously ill. The ode of lamentation is assigned to the two instruments in such a way that they play singly in swift succes...
- Dúo de saxofones (ST)
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Mansurian studied Beethoven's 6 Bagatelles Op. 126 and coupled them with thoughts by Proust and T. S. Eliot: The smallest things in life, the little, seemingly useless facts of everyday life are given...
Mansurian studied Beethoven's 6 Bagatelles Op. 126 and coupled them with thoughts by Proust and T. S. Eliot: The smallest things in life, the little, seemingly useless facts of everyday life are given...
- Piano trío (violín, violonchelo y piano)
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The String Trio by the Armenian composer Tigran Mansurian has been premiered in 2009 at Dilijan Chamber Music Series, Glendale, California. 'Mansurian's new trio is in three short movements. In the fi...
The String Trio by the Armenian composer Tigran Mansurian has been premiered in 2009 at Dilijan Chamber Music Series, Glendale, California. 'Mansurian's new trio is in three short movements. In the fi...
- Trío de cuerda (violín, viola y violonchelo)
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The present publication is based on an earlier vocal composition by Mansurian with the same title Four Hayrens for mezzo-soprano and piano (1967). Forty years later, in 2007 (and again revised in 2010...
The present publication is based on an earlier vocal composition by Mansurian with the same title Four Hayrens for mezzo-soprano and piano (1967). Forty years later, in 2007 (and again revised in 2010...
- Viola y piano
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- Viola
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In Armenia, the clarinet is considered a popular instrument. Almost all of our duduk players also play the clarinet. In some villages, they call it gralnet and they call the player gralnetist. In Para...
In Armenia, the clarinet is considered a popular instrument. Almost all of our duduk players also play the clarinet. In some villages, they call it gralnet and they call the player gralnetist. In Para...
- Clarinete
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Viola und 4 Männerstimmen (Countertenor, 2 Tenöre, Bariton).
Viola und 4 Männerstimmen (Countertenor, 2 Tenöre, Bariton).
- Viola y 4 voces
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Mansuryan's collaboration of more than 10 years with the violinist Kim Kashkashian and her duo partner Robyn Schulkowsky (percussion) resulted in the composition of the works published here. In them,...
Mansuryan's collaboration of more than 10 years with the violinist Kim Kashkashian and her duo partner Robyn Schulkowsky (percussion) resulted in the composition of the works published here. In them,...
- Viola y batería
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Composed in 2006 for the 15th Oleg Kagan Festival in Wildbad Kreuth, 'Agnus Dei' is one of Mansurjan's meditative works in which he aims at a synthesis of new techniques and old Armenian musical tradi...
Composed in 2006 for the 15th Oleg Kagan Festival in Wildbad Kreuth, 'Agnus Dei' is one of Mansurjan's meditative works in which he aims at a synthesis of new techniques and old Armenian musical tradi...
- Violín, clarinete, violonchelo y piano
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- Cuarteto de Cuerda
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After I had dedicated my first quartet (1983/84) to the memory of a friend and musician who died young, I had to mourn the death of yet another friend: Eduard Khagagortyan. To him, I dedicated my seco...
After I had dedicated my first quartet (1983/84) to the memory of a friend and musician who died young, I had to mourn the death of yet another friend: Eduard Khagagortyan. To him, I dedicated my seco...
- Cuarteto de Cuerda
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What does the Lotus Effect have to do with modal structures and prosodic forms of ancient Armenian sacred music? Tigran Mansurian attempts to fathom these mysteries - the magical plant with its unique...
What does the Lotus Effect have to do with modal structures and prosodic forms of ancient Armenian sacred music? Tigran Mansurian attempts to fathom these mysteries - the magical plant with its unique...
- Viola
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