Partituras de Wolfgang Amadeus Mozart para conjunto

Klarinette (in A), 1. Violine, 2. Violine, Viola, Cello - Stimmensatz

Piano, Flute, Oboe, A Clarinet, Horn, Bassoon

Hummel's arrangement of the Piano Concerto in D major, K537, the fifth in the series to appear, was published in 1835. The lead-in (Eingänge) models that he provided are particularly valuable in the c...

The Divertimento K. 247 in B-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to ac...

This Henle edition is full of mistakes! The publisher can freely admit this, because the odd notes here all come from Mozart himself - he consciously inserted them into his Musical Joke. In this amusi...

Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three piano trio fragments. Mozart composed them at di...

Mozart's piano trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. In...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

Mozart's famous statement to his father concerning this unique and singular quintet for piano and winds, scored for piano, oboe, clarinet in B-flat, horn in E-flat, and bassoon, should not be forgotte...

A genuine discovery! Written at the same time as the Magic Flute, this is Mozart's final piece of chamber music. Anyone lacking a glass harmonica should try it with a piano or a harp (it has even been...

Mozart was neither a flautist nor a harpist, but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist A...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Did Mozart intend this work to be a duo for two bass instruments, or - as the simple basso-like manner of the second part suggests - a sonata for bassoon and keyboard instrument? We will probably neve...