Partituras de coro femenino a capella

These intimate and comforting lines of Elizabeth Bishop's sonnet are set to music that is reflective, lush and lyrical, with the text always foremost. Originally written for SATB chorus and later arra...

Margaret Walker's text leaps off the musical page as words crying to be sung. 'My grandmothers were strong. They followed plows and bent to toil.' This was not frailty - this was determined womanhood....

For male voice choir and piano, edited by S. P. Warren.

The wonderful How Lovely Are The Messengers, taken from the Oratorio St. Paul. Arranged here for Soprano, Mezzo Soprano and Alto Voices with Piano accompaniment by Max Spicker.

The Lord's Prayer arranged by Carl Deis for three-part chorus of women's voices (SSA) with Piano accompaniment.

Version for Upper Voices.

Version for Upper Voices and Organ.

Collected, adapted and arranged by John Jacob Niles and Lewis Henry Norton. This version of the Appalacian Carol is for SSA (Upper Voices) with Piano.

Version for Medium Voice and Upper Voices.

Version for Upper Voices and Piano.

Version for Mezzo-Soprano and Upper Voices.

For Two-Part Choir (SA or TB) and Piano.

Experience the timeless wonder of Christmas with "O Magnum Mysterium" (Oh Wondrous Nativity). In this delicate arrangement by Carl Deis, the cherished sacred classic unfolds its profound, ethereal bea...

From the Oratorio 'Elijah'. For Three-Part Chorus of Women's Voices with Piano.

This well-loved American Hymn dates from the 19th century, when the practice of shape-note singing was widespread throughout the country as a way of teaching every citizen to read music and vast outdo...

For Three-Part Chorus of Women's Voices (SSA) with Organ or Piano Accompaniment. Edited from the autograph score by Reinhard G. Pauly with a choice of Latin or English text.

Negro Spiritual arranged for SSA Choir A Cappella.

The traditional Welsh folk song The Ash Grove, arranged by Charles N. Smith for SSA choir with Piano accompaniment.

Ballad-like American Folk Song about a 'lass' whose true love is a lord 'of high degree' and her sorrow when he never notices her. Arranged here for SSA choir and piano by John Jacob Niles.

A beautifully graceful and moving song taken from the Opera Andrea Chenier and arranged especially by Emile Serposs for SSA Chorus with Piano Accompaniment.

A setting of the text of Elizabeth Jones for two-part chorus with Piano accompaniment. Suitable for performance by either ladies' or men's Voices.