Partituras de coro

Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College, Cambridge, with the generous support of Paul Lee. The first performance was given on 12th December 2008 in the Chape...

Written for upper voices (SSS OR SSA) chorus and organ with optional chorus of trebles. Text from Psalm 66.

Gray's Pier was commissioned by Andreas Klatt for Farnham Youth Choir. From Following a Lark by George Mackay Brown. For unaccompanied choir SSA. Piano accompaniment on the score for rehearsal purpose...

Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College, Cambridge, with the generous support of Paul Lee. The first performance was given on 12th December 2008 in the Chape...

For SATB chorus with Organ accompaniment (with optional congregation, Brass and Timpani available separately)

This work was commissioned by DOM in association with Canty, who gave the first performance in York Minster on 23rd October 2008. This brief motet for four voices and renaissance bray harp was written...

For unaccompanied SSATTBB and echo choir SSAA. This work was written in memory of my brother, Roger. The five short phrases for choir and echo-choir, at once noble and solemn, tender and mystical, sho...

For massed unison voices, organ, piano and percussion, with optional SATB chorus. All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel,...

Arranged for > 4 Sopranos (including solo Soprano) > 2 Mezzo Sopranos > 2 Counter Tenors > 4 Tenors > 2 Baritones > 2 Basses.

For Soprano Saxophone, choir (SATB) and reader. Commissioned by the B. B. C. to commemorate the attacks of September 11, 2001.

City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009, and is dedicated, with thanks, to Ian Ritchie. Instrumentations - Choir, Organ, Soprano Saxophon...

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Commissioned by Elizabeth Chatwin in memory of her husband Bruce Chatwin. First performed by the National Chamber Choir of Ireland, conducted by Paul Hillier in Dublin on 22 July 2010.

This commission was supported by the Ministry of Education and Culture in Iceland and is dedicated to Hilmar Örn Agnarsson and The South Iceland Chamber Choir. The Three Shakespeare Sonnets was one of...

Lullaby was written in January 2006 for A Small World, an anthology of fifty new carols to be published in August 2006 by Gonzaga Music.

For SATB choir with Piano accompaniment. Commissioned by Distinguished Concept Artists International New York as part of the DCINY Premiere Project. By Eric Whitacre with text from E. E. Cummings.

White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this E. E. Cummings setting vividly portraying a...

This languorous setting of the E. E. Cummings text features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditati...

Cambridge University's 800th anniversary. First performed on 21st November 2009 by Caius Choir, under the direction of Geoffrey Webber. For choir of female voices and Trumpet.

O Radix Jesse by Polish composer PaweÅ Åukaszewski, is arranged here for unaccompanied SSAA Chorus with divisions. PaweÅ Åukaszewski is part of a younger generation of Polish composers who specialise...

For SSSAAATTBBB (with soli) and Organ. Dedicated to Her Majesty The Queen, in the year of her Diamond Jubilee. Commissioned by the Dean and Chapter of St Paul's Cathedral in celebration of the terce...

O that we were there! is a text taken from the Christian hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ, but it also conveys a longing to be out of the world o...