Partituras de coro

Text: Gabriel Iranyi, mit einem Beethoven-Zitat

Die Vielfalt der musikalischen Stile spiegelt die unterschiedlichen Konzepte und kreativen Herangehensweisen wider, die dieses Chorbuch zu etwas Besonderem machen. Einige Stücke bieten zudem die Mögli...

This short anthem with words by M. R. Peacocke was commissioned by the Musicians Benevolent Fund and was first performed at the 2006 festival of Saint Cecilia service in St. Paul's Cathedral, London,...

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

Lead Us, O Father by Michael Doswell, an anthem for unaccompanied SATB choir with words by W. H Burleigh.

The Two Short Victorian Anthems includes Not Unto Us, O Lord by Thomas Attwood Walmisley and God So Loved The World by John Goss, both arranged for unaccompanied SATB chorus.

Salvator Mundi: Greater Love was commissioned by the Swansea Festival and premiered by Côrdydd, conducted by Sioned James at St Mary's Church, Chepstow on 9 October 2011. It combines two sacred texts:...

This work for mixed voices was commissioned by the Allegri Singers and first performed by them in 1988. The text is by Geoffrey Hill from 'Tenebrae'.

God Be In My Head is a work by composer David Hill for Unaccompanied SATB Choir. It was first performed on the 6th of February 2016 by the Choir of St John's College, Cambridge, conducted by Andrew Ne...

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

In Monte Oliveti is a work by Anton Bruckner for Unaccompanied SATB Choir. A setting of text from the first Responsary on Maundy Thursday, a full performance lasts around 1 minute.

Tu Es Petrus' is a work by Andrew Wells for Unaccompanied SATB Choir that sets words from Matthew 16:28.

Dating from 2017, this jubilant piece work for unaccompanied mixed voice is the third in the set of the three Latin motets. Setting the Hymn for an Ascensiontide, the irregular rhythms match the jubil...

Scored for unaccompanied SSATB and SATB choirs, this works was commissioned by Westminster School, London.

And Let The Waves Bear Witness is written for SATB voices and set to two poems on love and empowerment.

First performed by Caritas, conducted by the composer, at Crathie Kirk, Balmoral, in the presence of HM Queen Elizabeth II and members of The Royal Family on 8 September 2019.

A setting of Psalm 150 (King James Version) for SATB and finger cymbals Commissioned in memory of the late Norman Marr, for many years Senior Vice Chairman of The Friends of St Machar’s Cathedral Firs...

Commissioned by The Revd Dr Jonathan Holmes and Queens' College, Cambridge for Suzi Digby OBE. First performed on 21 November 2021 in Queens' College Chapel, conducted by Ralph Allwood.

This choral work was commissioned by the Centre for the Thought for John Paul II in Warsaw in commemoration of the 100th anniversary of the birth of John Paul II. The first performance was given by th...

A setting for unaccompanied SSAATTBB choir of lines by the Japanese poet Yone Noguchi contemplating the theme of night. Slow and sustained, the music opens and closes in hushed tones, steadily swellin...