Partituras de coro

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

This brief latin motet was written in 1943 as a contribution to a Festschriften in honor of the sixtieth birthday of the president of G. Schirmer, Inc. A limited run of three hundred copies was printe...

Augusta Read Thomas's The Rewaking for SATB choir a cappella. The original version of The Rewaking (TTBB) was commissioned by the Cornell University Glee Club, ScottTucker, Director, in honour of Con...

Here is a sturdy setting of a Sacred Harp tune that is ideal for a concert or set of American music. Intended to be sung with a direct, clear and bright vocal style and a steady and intense underlying...

This beloved American folk lullaby incorporates the repeated word hush-a-bye throughout the arrangement, creating a sweet and calming effect as the melody weaves in and out between the different vocal...

Jon Washburn has crafted a lush and dramatic setting of this traditional Japanese folksong. Using the choir as a traditional Japanese stringed folk instrument, Jon sets the mood with a gentle vocal ac...

The text of this exciting choral work is based on the inscription on the Statue of Liberty. It will be sung for President Barack Obama, Vice President Joe Biden, their families and other invited frien...

Dale Warland Choral Series A Lover's Journey is a set of four pieces which chronicles the extraodinarily commonplace yet supremly elegant story of love and valentining. Written as a Valentine to The K...

Setting the Wendell Berry To My Mother but incorporating it for his parents, Joshua Shank portrays the sense of wandering and confusion in the early sections of his music but ultimately finds the reve...

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Though it sounds very much like a folk song, Lorena was actually composed in 1856. It became extremely popular during the Civil War, when it was a favorite of both Confederate and Union soldiers who l...

This arrangement of the beloved folk song was first premiered by the Yale Glee Club in the fall of 2006, and has since become an audience favorite. Probably referring to the Red River that flows north...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

The Silver Swan by Gregg Smith for SATB choir a cappella.

This famous Schirmer edition, now newly engraved, displays the simple line and homophonic textures for which de Victoria is known. Available separately, the VoiceTrax CD offers part-predominant tracks...

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that fe...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...