Partituras de coro

Bridging the sound between the Old English carols and the High Lonesome sound of the Appalachians, this beautiful carol with words by Isaac Watts is a delicate addition to any Christmas concert. The v...

Seven variations on an old Ashkenazic folk song for children. Text by L. Kipnis. For SATB choir and solo voice a cappella, in Hebrew.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Lyrics by Steven Brown. 'You were just names to us, on a long journey, you were just names to us, on the troubling journey. ' For SATB a cappella, Rehearsal Keyboard.

Transcontinental Music's all-time bestseller. The text was found written on a wall in a basement in Cologne, Germany by Allied troops after World War II. Available for SATB, SSAA and TTBB

The Alice Parker Choral Series. Text by Dunash ben Lavrat. To those who enlighten and those who enlightened, give abundant peace like the waters of a stream. For SATB a cappella. Rehearsal piano part...

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

The classic arranged for a fun SATB (a cappella)

A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum, set to a poem written by an anonymous author at Terezin concentration camp.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double cho...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Eric Whitacre has created a remarkable setting of The Star-Spangled Banner, filled with colorful effects and vivid dissonance. Challenging and impressive!

The spiritual journey of the seeker is to encounter God. This piece captures that sacred longing, as the mystery and majesty of the Almighty are described and met with music of nuance and deep express...

It is refreshing to find a carol that has not been overused. This choral tour de force overflows with seasonal joy and makes a sparkling addition to any Christmas service or holiday concert. Brief yet...

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melo...

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melo...

This lively series of pop songs has been arranged by Knut Olav Rygnestad for London Contemporary Voices. Now you too can sing their arrangements, in these engaging versions for a mixed a cappella choi...

Walt Whitman wrote this poem near the end of his life as he was reflecting on his past and preparing for physical death. The music reflects this as it is both meditative, with passages of quiet homoph...

This is like one big jazz scat for the choir. Only syllables, no words. Written for the New York Voices Jazz camp, this song is HOT. And the only 3 words used embrace the joy of music making and the j...