Partituras de coro

The fact that Naji Hakim's compositional oeuvre is, by his own account, deeply rooted in his personal faith and dedicated to the glory of God and the joy of mankind is evident not only in the text of...

The extremely compositional versatility of Enjott Schneider is evident even in the small(est) form of choral music. In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixe...

For his choral piece 'Cum enim quietum silentium contineret omnia, ...', the composer, choir director and organist Janusz Krzysztof Korczak, born in Cracow in 1994, was awarded the 3rd prize at the In...

Mit seinem "Gloria" für achtstimmigen gemischten Chor (SSAATTBB) a cappella vertont Alwin Michael Schronen den lateinischen Text auf neue Weise. Er bringt sich wiederholende rhythmische Motive mit ein...

For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...

Unbesiegbar - lautet die Übersetzung dieses Kammerchorwerks auf den Text des viktorianischen Dichters William Ernest Henley. Es beschreibt den inneren Kampf gegen und den Sieg über die wideren Umständ...

Elegi was originally written for orchestra by Hugo Alfvén, from the 'Gustav II Adolf' suite. Here it is transcribed for soloist and mixed choir by Thomas Caplin.

'Ubi caritas' is a hymn of the Western Church. This edition was commissioned by Dariusz Zimnicki and the Tibi Domine Choir.

Based on the digital challenges performing artists face in the time of the coronavirus pandemic while using digital conference systems.

For mixed choir SATB to SSAATTBB including S, A, T, and B solo, and cello. The recording is a concert recording from 18.09.2018. The performance is by Borg vocal ensemble and cellist Liv Frengstad, co...

A new original composition with a beautiful and effective sound image, for mixed choir SATB. Below you can hear a temporary and unofficial recording for reference. Not sold individually, but to the nu...

El estilo medieval se combina con Deck the Hall en este arreglo bien elaborado lleno de diversión fa-la-la y perfecto para coros SAB jóvenes de todas las edades. Elija campanas de mano, vibráfono o pi...

Daybreak, de Christi Jones, con aportaciones de su hijo adolescente Carson Jones, es una poderosa pieza a capella para coro mixto en desarrollo que incluye percusión corporal. La música comienza en un...

This SAB arrangement of the well-known text Veni, Veni Emmanuel is an example of music used by both Old and New Testament believers. For Christians, it is used in the Advent season and in Judaism it m...

New to the Carl Fischer family, Abeni Janae (b. 2001) brings a fresh voice in her arrangement of this wonderfully rich African American spiritual. Accessible for mixed choirs of all sizes and abilitie...

Esta poderosa obra para coro mixto se inspira en II Corintios 5:17, explorando el profundo anhelo de liberarse de las cargas que causan el mayor dolor y angustia en la vida. Dedicada al Coro de Soldad...

Este arreglo a capella para coro mixto teje maravillosamente dos queridos espirituales tradicionales, In Bright Mansions Above y Deep River. El arreglo honra la rica profundidad emocional y la resonan...

Lux Aeterna, de Melissa Roth Young, ofrece una hermosa y sentida versión del intemporal texto latino, utilizado desde hace mucho tiempo para honrar a los que nos han precedido. La música refleja el me...

Esta poderosa composición de las palabras de George Matheson yuxtapone ideas de anhelo y descanso en el texto. La tensión dentro de las armonías de este ajuste se mantendrá a través de frases largas,...

Este animado arreglo SATB de Jingle Bells aporta diversión fresca a la conocida melodía, destacando la humorística historia de trineos que hay detrás de la canción original de 1857. Con motivos "jing,...

El arreglo de Russ Robinson de Be Thou My Vision es simplista pero elegante. Su adición de "acordes de color" añade interés musical sin desvirtuar la melodía y las armonías originales.

For SATB Choir A Cappella.

Written for unaccompanied SATB choir. Words by James Kirkup. Dedicated to Frederic Jackson and the London Philharmonic Choir.