Partituras de coro

Accompanied by hand-drum and piano, this piece is an exciting and engaging sing filled with teachable moments and opportunities for musical growth. Also available in a version for CBar, piano, and per...

Bednall's beautiful setting of this much-loved prayer is warm, simple, and immediate. The vocal line is expertly lyrical and the accompaniment suitably supporting, with a serene line for solo violin t...

Para voces al unísono (con segunda parte optativa) y piano. Voices As One: Christmas pone al alcance de todos los coros la excepcional música navideña de los principales compositores corales de Oxford...

Para voces al unísono (con segunda parte opcional) y piano. Presentada aquí en una versión para voces al unísono (con segunda parte opcional), esta obra atractiva y alegre presenta un texto de la cant...

This fun, raucous, traditional Canadian sea shanty is arranged for SA, piano, hand-claps, thigh-slaps, and foot-stomps. The piano part is easy to play and the vocal lines are a delight to sing. This t...

The choir presents a statement of the tune sung in unison, followed by a canonic treatment of the melody. The piece ends simply with an unaccompanied section followed by a final statement on the piano...

For SA (with descant) and piano - An easy but rousing arrangement of a favorite spiritual, with an exceptionally good piano part and a concluding descant.

A compelling piece with a terrific melody and atmosphere set to a hugely evocative poem by Sheila Dunlop.

For two-part or SATB and piano - A fun and simple carol.

For unison voices (with optional divisi), oboe, and organ

This version makes one of John Rutter's most beloved carols accessible to unison choirs. Pont's arrangement is a shortened version with a simplified piano accompaniment.

Escribí esta melodía para coro y piano en 2006 sobre un poema de Charles Baudelaire. Es una excepción, porque todas mis demás obras vocales se basan en textos sagrados. La estrenó el coro Figure humai...

Mi música surge a menudo del deseo de entablar un diálogo, de compararla con repertorios antiguos; a menudo son los homenajes a repertorios los que me nutren, y así encontraremos reminiscencias y simi...

El Pater Noster y el Ave María están escritos para un conjunto vocal de al menos 4 sopranos, 4 contraltos, 5 tenores y 4 bajos. Ambas piezas se adaptan tanto a la interpretación en concierto (en grupo...

I testi poetici e i criteri di trascrizione; Il testo musicale: testimoni e criteri editoriali; Apparato critico

Detalles: narrador, coro (niños o adultos) y piano