Partituras de coro

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

This atmospheric carol sets the well-known 'O magnum mysterium' text in the version famously used by Victoria, with its tender, devotional additions. Set in four parts, the work unfolds simply, from s...

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflect...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

With words by the composer, this tender piece expresses gratitude and awe for the redeeming power of the Christ-child. Replete with rich contrasting harmonies, the changing metre and effective phrasin...

A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Reimagined as a response to Lotti's Crucifixus from Credo in F. Use of suspensio...

Setting words by the composer, One of these days is an affirmatory piece with pop-inspired rhythms and harmonies. The scat syllables and repeating patterns of the lower parts provide a rich cushion fo...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

In this gentle lullaby, poet Charles Bennett reflects upon the promise held in the dreams of a sleeping child, a life that has just begun. The choir opens and closes the carol, providing a rich cushio...

This atmospheric setting of the celebrated poem 'April Rain Song' by (the Harlem Renaissance writer) Langston Hughes captures the sense of comfort and security while listening to rainfall. The ebb and...

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

para SATB sin acompañamiento. Con palabras inspiradoras de James Weldon Johnson, esta obra es conmovedora y emocionante. My heart be brave es una elección ideal para coros que buscan abordar temas de...

Chilcott sets this beautiful new text by Charles Bennett in a lush style. The vivid imagery is brought to life through the composer's warm harmonic palette. The Pear Tree Carol is a contemplative cele...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...

Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal....

By The Way, I Love You is a fun a cappella number that sets words by Garth Bardsley in a big band style. Swing and rhythmic groove is vital to the performance, with the catchy melody held first by the...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag: Raag Hamsadh...

Bob Chilcott has composed O Lord, make thy servant Elizabeth our Queen, a reflection on the 16th-century piece of the same title by William Byrd, for the occasion of Her Majesty The Queen's Platinum J...

This imaginative setting of the well-loved text O little town of Bethleham, by Phillips Brooks, displays McGlade's characteristic rich and expressive harmonies, with their jazz inflections. Opening wi...

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own. O mistress mine is a jau...

Characteristically sung on Christmas Day, this Catholic chant depicts mystery and wonder at the birth of Jesus, as witnessed by the animals. The second half of the text relates to words spoken by Eliz...