Partituras de coro

Musical setting of a classical text from the responsories of the Holy Week. The dark sonority of the piece represents the mysterious atmosphere of the text.

This cycle is a musical setting of three poems by Lorca: the transparent Zarzamora con el Tronco Gris (Blackberry with Grey Trunk), the dim Tarde (Evening) and the dark-coloured Canción de Jinete (Rid...

Andreas Pieper, born in 1958, studied church music at the Staatliche Hochschule für Musik Westfalen-Lippe and composition with Roland Ploeger at the Lübeck Music Academy. In 2002, he was among the pri...

The Pater noster for choir a cappella, is an homophonic setting of the Mozarabic melody and is suitable for both liturgy and concert. The Mozarabic traditional text includes an extra verse after Panem...

This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call...

In the last decade, Krzysztof Penderecki composed a Sanctus and Benedictus for treble choir, and he has now used these movements as the basis of his Missa brevis. The new mass setting adds male voices...

Andreas Pieper's overall artistic aim to 'build a bridge of confidence to the world behind things' with his music can be heard clearly in his setting of Tollite iugum meum. The Latin-language motet fo...

Also available for a-cappella choir apart from the versions with piano or string orchestra: the Prayer for Peace of Saint Mother Teresa in a simple, densely woven musical setting as a romantic elegy....

Chorpartitur für gemischten Chor a cappella - lateinisch Klangsinnlich, freudig und kontrastreich entfaltet sich über 15 Minuten eine leuchtende, teils impressionistisch angehauchte Harmonik, der die...

With Zwei lateinische Marienmotetten for mixed a cappella choir (SATB) and interlude for organ or string quintet, Andreas Pieper has created two gems of Marian devotion which are perfect for being use...

Die Vertonungen der romantischen Liebesgedichte wirken sehr zart und einfühlsam. Durch zahlreiche Taktwechsel, die die größte Schwierigkeit von Asleep darstellen, bekommt das Stück einen etwas undurch...

The fact that Pascal Martiné is a real expert in the field of sacred choral music shows once again in the 'Three Motets' for mixed a-cappella choir (SATB) by the Mainz-based composer and (choir) teach...

With his three songs for mixed a-cappella choir (SSAATB) which were published under the speaking title of 'Fairy Land' in 2013, Hermann Große-Schware takes us to the wonderful land of fairy tales. All...

The work interprets in a sensitive way the effect Pope Frances, who was elected in March 2013, has on people. Based on three Argentine folk songs, the mass with its powerful and quiet parts arouses fe...

Der 1795 geborene Robert Lucas de Pearsall gilt als einer der Wegbereiter des Cäcilianismus, einer kirchenmusikalischen Restaurationsbewegung mit Rückbesinnung auf den aus Renaissance und Barock überl...

Mit seinem 'Ave verum' hat Alwin M. Schronen ein wahres Kleinod geistlicher A-cappella-Chormusik geschaffen. Der Vertonung für vierstimmigen gemischten Chor (SATB) liegt der altbekannte Text der Eucha...

Meine Seele dürstet nach Gott, nach dem lebendigen Gott - diese Psalmvertonung wird von einem kleinen und einem größeren Chor antiphonisch vorgetragen. Mit zarten Harmonien, ruhigem Gestus und spannun...

Kurze Cluster, die sich kaum merklich auflösen und die Harmonie verändern, umspielen das spätromantische Liebesgedicht. Größtenteils getragen und flächig verlangt diese Komposition eine gute Intonatio...

The text of Hildegard von Bingen is interpreted with spherical and archaic sounds. Frictions form and dissolve, harmonies come and go. The piece is particularly suitable for chamber choir, demanding a...

'Daybreak' is a 16th-century love poem set to music by Matthew Brown for four-part chamber choir. Harmonic frictions spice up the tonal image of romantic love.