Partituras de edición Urtext
'The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.' (Isidore Philipp) What Isidore Philipp described...
'The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.' (Isidore Philipp) What Isidore Philipp described...
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> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
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- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
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Beethoven's final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment...
Beethoven's final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment...
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> Urtext performance edition at the cutting edge of scholarship > Optimal page turns > Informative Introduction > Valuable suggestions on period performance practice (Eng/Ger) > Detailed Critical Comm...
> Urtext performance edition at the cutting edge of scholarship > Optimal page turns > Informative Introduction > Valuable suggestions on period performance practice (Eng/Ger) > Detailed Critical Comm...
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Bärenreiter führt die Urtext-Edition von Beethovens sämtlichen Klaviersonaten mit einem weiteren wichtigen Beitrag fort. Die viel gespielten Sonaten op. 2 Nr. 1, 2 und 3 entstanden in der Zeit, als de...
Bärenreiter führt die Urtext-Edition von Beethovens sämtlichen Klaviersonaten mit einem weiteren wichtigen Beitrag fort. Die viel gespielten Sonaten op. 2 Nr. 1, 2 und 3 entstanden in der Zeit, als de...
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The significance of Liszt's late piano pieces has been the subject of much debate. On the one hand they are considered heralds of the elderly Liszt's waning inspiration; on the other hand, they are pr...
The significance of Liszt's late piano pieces has been the subject of much debate. On the one hand they are considered heralds of the elderly Liszt's waning inspiration; on the other hand, they are pr...
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Otilie Suková was the daughter of Antonín Dvorák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings. Fou...
Otilie Suková was the daughter of Antonín Dvorák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings. Fou...
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The earliest sketches for Beethoven's Grande Sonate op. 7 date from 1796 and the first edition was issued by the publisher Artaria, Vienna in October 1797. It is dedicated to Beethoven's pupil Anna Lu...
The earliest sketches for Beethoven's Grande Sonate op. 7 date from 1796 and the first edition was issued by the publisher Artaria, Vienna in October 1797. It is dedicated to Beethoven's pupil Anna Lu...
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Composed in 1800 and published as a 'Grande Sonate', Beethoven's Piano Sonata in B-flat major op. 22 marks the end of his first creative period. The only surviving handwritten source is a copyist's ma...
Composed in 1800 and published as a 'Grande Sonate', Beethoven's Piano Sonata in B-flat major op. 22 marks the end of his first creative period. The only surviving handwritten source is a copyist's ma...
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Beethoven’s four-movement Sonata in A-flat major op. 26 belongs to his most popular works. It is dedicated to Prince Lichnowsky, one of his most generous patrons and the dedicatee of, for example, the...
Beethoven’s four-movement Sonata in A-flat major op. 26 belongs to his most popular works. It is dedicated to Prince Lichnowsky, one of his most generous patrons and the dedicatee of, for example, the...
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Beethoven's Sonata in F major op. 54 was written in 1804, just after the highly virtuosic 'Waldstein' Sonata and before the 'Appassionata' Sonata, and has unjustly stood in the shadow of its predecess...
Beethoven's Sonata in F major op. 54 was written in 1804, just after the highly virtuosic 'Waldstein' Sonata and before the 'Appassionata' Sonata, and has unjustly stood in the shadow of its predecess...
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Composed in 1809-10, Beethoven's Sonata op. 81a expresses his very personal feelings. He titled its three movements 'Das Lebewohl' (The Farewell), 'Die Abwesenheit' (The Absence) and 'Das Wiedersehn'...
Composed in 1809-10, Beethoven's Sonata op. 81a expresses his very personal feelings. He titled its three movements 'Das Lebewohl' (The Farewell), 'Die Abwesenheit' (The Absence) and 'Das Wiedersehn'...
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It was not until 1814, five years after the Sonata op. 81 'Les Adieux', that Beethoven, then at the height of his popularity during the Congress of Vienna, returned to the piano sonata. The highly lyr...
It was not until 1814, five years after the Sonata op. 81 'Les Adieux', that Beethoven, then at the height of his popularity during the Congress of Vienna, returned to the piano sonata. The highly lyr...
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'Here's a sonata that will challenge pianists and that one will be able to play in 50 years': thus Beethoven is said to have written to his publisher Artaria regarding his mighty 'Hammerklavier' Sonat...
'Here's a sonata that will challenge pianists and that one will be able to play in 50 years': thus Beethoven is said to have written to his publisher Artaria regarding his mighty 'Hammerklavier' Sonat...
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> New critical performing editions at the cutting edge of scholarship > Optimum page-turns > Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (E...
> New critical performing editions at the cutting edge of scholarship > Optimum page-turns > Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (E...
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In 1845/46 Chopin composed his bel canto inspired 'Barcarolle' in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even...
In 1845/46 Chopin composed his bel canto inspired 'Barcarolle' in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even...
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- Hardy Rittner
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Urtext der Hallischen Händel-Ausgabe Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
Urtext der Hallischen Händel-Ausgabe Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
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Urtext der Hallischen Händel-Ausgabe Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
Urtext der Hallischen Händel-Ausgabe Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
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Erste Sammlung von 1720. Die acht großen Suiten HWV 426-433, Anhänge. Urtext der Hallischen Händel-Ausgabe (Neuausgabe) Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
Erste Sammlung von 1720. Die acht großen Suiten HWV 426-433, Anhänge. Urtext der Hallischen Händel-Ausgabe (Neuausgabe) Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
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Urtext der Hallischen Händel-Ausgabe. Klavier - Urtextausgabe; Gesamtausgabe
Urtext der Hallischen Händel-Ausgabe. Klavier - Urtextausgabe; Gesamtausgabe
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Suites y piezas individuales. Primera entrega (nos. 1-22). Urtext de la edición Halle Handel. Partitura; edición Urtext
Suites y piezas individuales. Primera entrega (nos. 1-22). Urtext de la edición Halle Handel. Partitura; edición Urtext
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Edición especial para el Año Haendel 2009. piano - partitura; edición Urtext.
Edición especial para el Año Haendel 2009. piano - partitura; edición Urtext.
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1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe. Klavier - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe. Klavier - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
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Urtext der Neuen Mozart-Ausgabe. Klavier - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Mozart-Ausgabe. Klavier - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
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