Partituras de edición Urtext

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...

'To tell the truth, I'm a concerto grosso type,' Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orch...

'Incarnation' (1956), Bohuslav Martinu's fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu's friend Rudolf Firkušný, who played from a copy of the autograp...

“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...

Hallische Händel-Ausgabe. Serie I, Band 9.2 Besetzung: Sopran solo (3), Alt solo (3), Tenor solo, Bass solo, Gemischter Chor: SATTB, 1. Flauti (Piccolo-Flöte, 1. Blockflöte, Flöte) 2. Flauti (Piccolo-...

With his 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' ('Beauty Reformed in the Triumph of Time and Enlightenment'), HWV 46a, the 22-year-old Handel notched up one of his greatest suc...

Haydns 'Abschiedssinfonie' ist eines der meistgespielten Werke der sinfonischen Literatur. Der populäre Titel stammt nicht vom Komponisten: Er bezieht sich auf den Finalsatz, an dessen Ende (Adagio) d...

Zusammen mit den Londoner und Pariser Sinfonien gehören Haydns Sturm-und-Drang-Sinfonien zu den meistgespielten Werken des Komponisten. Unter ihnen befinden sich nicht nur Meisterwerke wie die 'Abschi...

Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wish...

Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the 'Engli...

Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...

En 1776, unos diez años después de que Haydn asumiera su cargo en el Palacio de Esterházy, compuso su Sinfonía en re mayor Hob. I:61, que se caracteriza por un sonido más pleno de las maderas en compa...

The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...

Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...

Opéra comique in 3 Akten (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (3), Sprecher (2), Piccolo, Flöte, Oboe (2), Englischhorn (2), Fagott (3), Ho...

Musikdrama in 4 Aufzügen. Deutsche Fassung (Wien 1781). Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (2), Gemischter Chor, Ball, Piccolo, Flöte 1, Flöte 2/ Piccolo, Oboe...

Tragédie Opéra (Drama héroique) in 3 Akten. Pariser Fassung 1774 (französisch/deutsch). Urtext der Gluck-Gesamtausgabe. Sopran solo (2), Tenor solo, Gemischter Chor, Ball, Flöte (2), Oboe (2), Klarine...

Gluck. Sämtliche Werke. Serie II, Band 1 Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Posaune, Pauke, Streicher, Basso continuo

Dramma per musica in 3 Akten. Gluck. Sämtliche Werke. Serie III, Band 8 Sopran solo (4), Tenor solo, Flöte (2), Oboe (2), Englischhorn (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher, Basso...

Tragédie opéra in 4 Akten, Paris 1779 (französisch/deutsch). Im Anhang 1. und 2. Fassungen, Einschübe und Ergänzungen. Urtext der Gluck-Gesamtausgabe. Sopran solo (5), Tenor solo, Bariton solo, Bass s...