Partituras de edición Urtext

Similar to Schumann's 'Concert Piece for Four Horns' op. 86 (HN 1138), Saint-Saëns' 'Morceau de Concert' was also written with the idea of exhausting the technical possibilities of a new valve horn co...

Mozart's 'daily bread' for horn players in a particularly delightful Urtext edition. The fragmentary Rondo is not only offered in the well-known Süßmayr version, but also in a very stylistically confi...

El compositor y virtuoso del violín Johann Stamitz no sólo estableció la mundialmente famosa escuela de Mannheim en el siglo XVIII, sino que es conocido sobre todo entre los clarinetistas por haber si...

Now the Concertino and the First Clarinet Concerto are about to be followed by Weber's Second Concerto in E-flat major, edited by Norbert Gertsch. Once again, the piano reduction contrasts the origina...

For our Urtext edition of the Clarinet Sonata op. 167 we were able to consult the autograph for the first time. 'At the moment I am putting my last ounce of energy into giving seldom considered instru...

In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding "It would be really wonderful if you brought your B flat clarinet with y...

Louis Spohr's concertos have long been a standard feature in the clarinet repertoire, but up to now they have suffered due to a lack of reliable editions. In order to fill this gap, G. Henle Publisher...

Robert Schumann escribió sus Fantasiestücke para clarinete y piano en dos días de febrero de 1849, y la primera interpretación por Clara Schumann y el clarinetista de Dresde Johann Gottlieb Kotte tuvo...

In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the 'Drei Fantasiestücke' op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these 'Drei R...

As concertmaster of the Leipzig Gewandhaus Orchestra for many decades, violin virtuoso Ferdinand David was a close friend of Felix Mendelssohn, who wrote his famous Violin Concerto for him. David was...

At the end of the 18th century, the Viennese court trumpeter Anton Weidinger (1767-1852) invented the 'Klappentrompete' keyed trumpet, which allowed the trumpet to play the octave in chromatic (half-s...

One of the best-loved trumpet concertos today is actually a horn concerto: Neruda composed it in about 1750 at the Dresden Court, where he met the greatest horn virtuosos of the day. As a result, the...

Hummel's Trumpet Concerto is still one of the most popular concertos for this instrument. He composed it in 1803 for the Viennese court trumpeter Anton Waidinger, whose newly developed key-trumpet ena...

La reducción para piano contiene: Parte solista del texto Urtext Parte solista arreglada por Martin Wulfhorst con notas prácticas de interpretación Libreto aparte con cadencias, entradas y adornos de...

Concierto para violín y orquesta. Reducción para piano según el Urtext de la Nueva Edición Mozart - Concierto para violín y orquesta. Violín solo, Oboe (2), Trompa (2), Cuerdas - Reducción para piano

Concierto para violín y orquesta. Reducción para piano según el Urtext de la Nueva Edición Mozart - Concierto para violín y orquesta. Violín solo, Oboe (2), Trompa (2), Cuerdas - Reducción para piano

Las obras en las que Mozart utilizó instrumentos de cuerda como solistas fueron compuestas principalmente entre 1773 y 1779. Sin embargo, los años 1773 y 1775 son especialmente significativos dentro d...

Concierto para violín. Reducción para piano basada en el Urtext de la Nueva Edición Bach. Violín solo, Cuerdas, Bajo continuo - Reducción para piano

Concierto para violín. Reducción para piano basada en el Urtext de la Nueva Edición Bach. Violín solo, Cuerdas, Bajo continuo - Reducción para piano

Adagio y 2 rondós. Reducción para piano según el Urtext de la Nueva Edición Mozart. Violín solo, flauta (2)/ oboe, trompa (2), cuerdas - reducción pianística; parte única

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Discover a true masterpiece of chamber music: The Sonatina in G major, Op. 100 for violin and piano captivates with its unmistakable melodic charm, youthful freshness, and deep emotional resonance. Or...

From the cycle 'L'Estro Armonico'. The 12 Violin Concertos op. 3 established the fame of Antonio Vivaldi all over Europe and - along with the Four Seasons - are still among the most popular works by t...

Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a particularly haunting melody. The short work also had a special significance for the composer. Caroline Alice Rob...

This highly virtuosic concert piece, composed in 1863, is one of the works that Saint-Saëns wrote especially for his friend Pablo de Sarasate. The great violin virtuosos of the 19th century delighted...