Partituras de edición Urtext

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Composed in 1727 for a 'eulogy and funeral oration' for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstru...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

> Complete sacred vocal works published by Carus at the conclusion of the Bach vocal editorial project in a high-quality complete edition > For study and performance: the authorative Urtext of the Stu...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...

Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accus...

Mendelssohn compuso su primer oratorio Paulus bajo la impresión de su propia recuperación de la Pasión de San Mateo de J. S. Bach en 1829. Integró en el Paulus ajustes corales, por lo que fue acusado...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...

Mozarts Missa in C-Dur KV 317, unbegründeterweise Krönungsmesse genannt, zählt zu den beliebtesten und am meisten aufgeführten Werken ihrer Gattung. Das in vieler Hinsicht aufschlussreiche Autograph d...

Mozarts Missa in C-Dur KV 317, unbegründeterweise Krönungsmesse genannt, zählt zu den beliebtesten und am meisten aufgeführten Werken ihrer Gattung. Das in vieler Hinsicht aufschlussreiche Autograph d...

Mozarts Missa in C-Dur KV 317, unbegründeterweise Krönungsmesse genannt, zählt zu den beliebtesten und am meisten aufgeführten Werken ihrer Gattung. Das in vieler Hinsicht aufschlussreiche Autograph d...

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org Sprache: lateinisch - Beethovens Meisterwerk im Urtext - herausgegeben von Ernst Herttrich - inform...

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org Sprache: lateinisch - Beethovens Meisterwerk im Urtext - herausgegeben von Ernst Herttrich - inform...