Partituras de edición Urtext

Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...

Urtext (Vervollständigung Süßmayr, Neuausgabe nach den Quellen) N

Sopran solo, Alt solo, Tenor solo (2), Bass solo, Gemischter Chor, Orchester - Partitur, Urtextausgabe

Für Soli (SATB), gem. Chor und Orchester, neue Ausgabe, Urtext (d. / e.) - Harmoniestimmen

Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 is one of the most radiant masterpieces in music history, filling the festive season worldwide with joyful splendor. This mon...

In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...

In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

Soli,GCh,Orch 20'

Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the jubilee year 2009 Mendelssohn's 'Elijah' i...

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...

The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

The Breitkopf Urtext New Edition offers the musical text of the Leipzig Mendelssohn Edition (LMA), which for the first time was able to make use of the score autograph, which is once again accessible.

Schubert's last great mass, whose premiere in October 1829 he did not live to see. "Striving for the highest in art" - with these words Schubert had announced his Mass in A flat major to the Schott pu...

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A-flat major in 1828, which he called Missa solemnis in the autograph. The story of its creation alone shows...

With the "Libera me" finally complete The Requiem by Domenico Cimarosa, composed in 1787, quickly became known in many places through copies and has remained a repertoire work of classical church musi...

Urtext der Neuen Bach-Ausgabe - Cantata for the 27. Sunday after Trinity. Urtext of the New Bach Edition Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Oc-dacc, Horn, Streicher, B...

Die Edition der Messe in h-Moll im Rahmen der Neuen Bach-Ausgabe war und ist der Standard für Generationen von Musikern. Der jetzt von Uwe Wolf vorgelegte erste Band der revidierten Neuausgabe bietet...