Partituras de edición Urtext

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

[Vl,Orch] (Christian R. Riedel)

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

El oratorio de Pascua BWV 249 se estrenó el Domingo de Pascua de 1725 con el texto "Venid, daos prisa y corred". En el cómputo de la nueva BWV, se trata ya de la BWV 249.3, tras dos cantatas de felici...

Although not ignored, the Second Edition of Geminiani’s Op. 2 Concertos has received little attention from commentators, editors and performers, compared to the 1732 ‘main version’ of the concertos. G...

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

Wolfgang Amadeus Mozart's Sinfonia concertante in E-flat major, K. 364 (320d) for violin, viola, and orchestra is widely regarded as one of the most moving and accomplished double concertos in music h...

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...