Partituras de edición Urtext

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

Of the four overtures that Beethoven composed for his only opera, the 'Leonore Overture' No. 3 is the most popular. The first reviewer found fault with it for its 'incessant dissonances and overblown...

Of the four overtures that Beethoven composed for his only opera, the 'Leonore Overture' No. 3 is the most popular. The first reviewer found fault with it for its 'incessant dissonances and overblown...

Texto musical históricamente sólido y auténtico; material orquestal de alta calidad basado en la edición completa El texto musical de la edición completa de Strauss de 1974 de la opereta "Die Flederma...

Texto musical históricamente sólido y auténtico; material orquestal de alta calidad basado en la edición completa El texto musical de la edición completa de Strauss de 1974 de la opereta "Die Flederma...

Cuando Carl Maria von Weber compuso la obertura de "Der Freischütz" en mayo de 1820, era el último elemento musical de su ópera. En este sentido, Weber pudo trazar y condensar perfectamente el gran pl...

Cuando Carl Maria von Weber compuso la obertura de "Der Freischütz" en mayo de 1820, era el último elemento musical de su ópera. En este sentido, Weber pudo trazar y condensar perfectamente el gran pl...

Psalm 6 aus Psalmen Davids für 2 Favoritchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Basso continuo

Chorstimme (deutsch/englisch). Sopran - Einzelstimme

Sopran solo, Tenor solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe

Sopran solo, Tenor solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe

Sopran (Chorstimme) - Einzelstimme

Sopran - Einzelstimme