Partituras de edición Urtext

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

La nueva edición Urtext de Jean-François Monnard se basa por primera vez en una comparación erudita de las fuentes. Se basa en el primer borrador de la partitura de Ravel y en su partitura manuscrita...

[Vl,Orch] (Christian R. Riedel)

[Vl,Orch] (Christian R. Riedel)

[Fl,Orch] 20' Solo: Fl - 0.2.0.0. - 2.0.0.0. - Str - (Henrik Wiese)

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The new edition of all 16 of Handel's organ concertos by Ton Koopman has been completed. The quality of this edition has been highly praised everywhere. Source-critical responsibility goes hand in han...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)