Partituras de edición Urtext

In the Viennese classical era a divertimento was a light, multi-movement instrumental piece of cheerful, dance-like character. Alongside Mozart, it was above all Haydn who mastered the art of composin...

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplis...

Haydn's numerous divertimentos for strings and wind are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head a...

Haydn's numerous divertimentos for strings and winds are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head...

Though not nearly as well-known as the 'London Trios,' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

Mozart's famous statement to his father concerning this unique and singular quintet for piano and winds, scored for piano, oboe, clarinet in B-flat, horn in E-flat, and bassoon, should not be forgotte...

A genuine discovery! Written at the same time as the Magic Flute, this is Mozart's final piece of chamber music. Anyone lacking a glass harmonica should try it with a piano or a harp (it has even been...

The Trio in G minor op. 63 for piano, flute and violoncello, published in 1820, is one of the few chamber music works by Carl Maria von Weber. In the finale one finds some echoes from Weber's probably...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

At certain points it will be like a serious song, at others like a happy dance …” This was how Dvo?ák described the work which he was composing at the time to a friend in 1890. The word 'Dumka” (plura...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Did Mozart intend this work to be a duo for two bass instruments, or - as the simple basso-like manner of the second part suggests - a sonata for bassoon and keyboard instrument? We will probably neve...

No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled 'Romances', was merely suppose...

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divert...

Sólo unas pocas obras en la historia de la música pueden presumir del atributo de "hacer época". Las sonatas en trío de Arcangelo Corelli se encuentran entre ellas. Con sus Sonate da chiesa op. 1 y So...

The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.

Louis Spohr’s Fantasia op. 35 from 1807 comprises one of the standard works for solo harp repertoire today. It was composed in Gotha, where Spohr’s wife Dorette received harp lessons from the court ch...

En la década de 1910, un enamoramiento romántico de la arpista Eleonora Damskaja llevó al joven Sergei Prokofiev a componer tres piezas cortas para arpa y dedicárselas. Dos de estas composiciones se i...