Partituras de edición Urtext

Urtext edition by Finn Benestad New edition of this eminent violin sonata, based on the Grieg Complete Edition. Based on the latest source scholarship, with preface and critical commentary.

Für Violine und Klavier mit Cello ad lib. (Urtext)

Für Violine u. Klavier mit Cello ad lib. (Urtext)

Urtext Edition

This attractive volume brings back into the repertoire the delightful 'Morceau de lecture', which had been unaccountably out of print for almost a century. The 'Romance' and particularly the 'Berceuse...

At the time, Mozart's genius - recognised at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being 'Wunderki...

Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: 'That my boy ... knows all of this with his 8 years that could be expected of a man of fort...

In autumn 1765 Mozart's family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she 'had an e...

Schumann's second violin sonata was written in October/November 1851, only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the...

The Viennese Jakob Dont is considered one of the most important violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literatur...

Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode...

Together with Pierre Baillot and Rodolphe Kreutzer, Pierre Rode founded the important Franco-Belgian violin school at the end of the eighteenth century. Celebrated throughout Europe, this violinist gi...

In addition to the famous solo concerto, many of Tchaikovsky's violin works have entered the standard violinist's repertoire. An outstanding example is the Valse-Scherzo, sparkling with playfulness, w...

These easy duets were published around 1796/97 by Pleyel's own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violi...

Violinist Heinrich Wilhelm Ernst, a friend of Mendelssohn, was one of the great virtuosi of his age, standing alongside Paganini, Vieuxtemps and Wieniawski. Like them, he left behind a series of compo...

No chamber-music genre was honored with so many works as Mozart's duos for piano and violin. As well as the 16 sonatas they include two variation cycles which Mozart composed in 1781, thus in his firs...

Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b), composed in Darm...

Johannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down,...

As Court Music Director in Cöthen, Johann Sebastian Bach devoted himself primarily to instrumental music. Among the works written there were his Sonatas for violin and obbligato harpsichord BWV 1014-1...

Schubert's three grand duos for violin and piano occupy pride of place among his foremost works. In the A major Sonata D 574 of summer 1817 he continued to elaborate what was still a simple interplay...