Partituras de jazz contemporáneo para Big Band

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

Relaxed cool jazz feel.

An off-beat groovy modern/contemporary 4/4 composition featuring a duo-solo between trumpet 2 (on flugel horn) and alto 1. The piece also has a piano solo and an interesting development section. The p...

A wonderful straight 1/8th note contemporary composition which starts with an unaccompanied sax soli, employs a few very interesting metric modulations ( i.e. tempo changes), alternates between 3/4 an...

This straight eigth note piece is reminiscent of music that has been released on the ECM label. It begins with a rubato section featuring piano and flugel horn and then falls into a loose bossa. The m...

A 'very intense' medium-up tempo piece with a straight-eighth feel. This chart has a driving rhythm requiring a strong drummer. A small horn grouping (tpt/alto/bari/tbn) presents the theme atop variou...

Contemporary modal piece with a Herbie Hancock flavor. A few meter changes (6/4 and 5/4) will keep you honest, although most of the piece is in four. Flugel/guitar or vibraphone play the head. Soprano...