Partituras de jazz para coro

Con sus formas tradicionales y sus patrones compositivos probados, sus originales ideas melódicas, a veces de carácter folclórico, y su riqueza armónica, la Misa en re mayor se sitúa al servicio litúr...

Con sus formas tradicionales y sus patrones compositivos probados, sus originales ideas melódicas, a veces de carácter folclórico, y su riqueza armónica, la Misa en re mayor se sitúa al servicio litúr...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

La Misa en do mayor de Schubert no es difícil para el coro en cuanto a las notas, y sin embargo siempre hay sorpresas cuando se encuentran con la orquesta: Los violines están escritos a menudo en semi...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa de 1816, compacta y de menor partitura. En cuanto a sus dimensiones exte...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Los conjuntos para los que las "grandes" misas de Schubert no son accesibles encontrarán una agradable alternativa en esta misa compacta y de menor partitura de 1816. En cuanto a sus dimensiones exter...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the 'Kyrie' and the 'Credo', forms a magical counterpoi...