Partituras de jazz para orquesta de viento

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, alon...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...

Originally scored by the legendary Luther Henderson for full orchestra and brass quintet, here is a great-sounding adaptation for concert band by Paul Murtha that features three classic Ellington comp...