Partituras de música barroca: Tesoros de una era dorada

Fav STTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr] - Tonart d-dorisch

Fav SSAT, 2 Vl, Cb, Org, [Cap SATB, 4 Instr] - Tonart g-dorisch

Coro SSTT, 2 Instr, Cb, Org - Tonart g-dorisch

Fav SSTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]

Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart G-Mixolydisch

Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart d-dorisch

Coro SSATB, 2 Vl, Cb, Org - Tonart G-Mixolydisch

Fav SMsTTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr] - Tonart g-dorisch

Fav SSATB, 2 Vl, Fg, MsInstr, AltInstr, Cb, Org - Tonart g-dorisch

Coro SSATTB, 2 Vl, Cb, Org

Fav SSATB, 2 Vl, Fg, Cb, Org, [Cap SATB, 4 Instr] - Tonart g-dorisch

Fav SMsATBB, 2 Vl, Cb, Org, [Cpl SATB/SATB, 8 Instr] - Tonart d-dorisch

Coro SSATTB, 2 Vl, Cb, Org

Fav SMsTTBarB, 2 Vl, Cb, Org, [Cpl SATB/SATB, 8 Instr]

Fav SSATTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]

Coro SATB, [4 Instr], Cb, Org - Partitur (ohne Umschlag)

La Weihnachts-Historie SWV 435 de Heinrich Schütz s'inscrit dans la tradition des mises en musique de l'histoire de la nativité qui, contrairement aux oratorios postérieurs, se limitent en grande part...

Ein noch viel zu wenig bekanntes Psalmkonzert von Heinrich Schütz für Solostimmen, Chor, 2 Violinen, 3 Posaunen und Basso continuo. Alternativ sind auch kleinere Besetzungen möglich. Vermutlich schrie...

Geistliches Konzert - Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr - Tonart G-Mixolydisch

Passionsmusik - Fav SATTB, 5 Obligatinstr, Cb, Org, [Cap SATTB] - Tonart e-phrygisch

Mit seiner Auferstehungshistorie setzte Schütz die etwa siebzigjährige Tradition der Komposition biblischer Historien fort, die Friedrich Blume die 'eigenartigsten und geschichtlich bedeutendsten Leis...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...