Partituras de música clásica para conjunto mixto

A novella that lets a small impostor become a count, but whose unmasking ends peacefully bourgeois.

A wreath of little-known Christmas carols, easy to perform and can also be scored with wind instruments; the viola part can also be performed by a violin (separate part).

This attractive work is part of the famous Neapolitan collection of 24 concertos, created around 1725 as 'Concerti di Flauto, Violino, Violetta e Basso Di Diversi Autori'.

Edited from the first edition.

The sonata is part of the collection of two- to five-part sonatas from 1682. Experimental in form and harmony. Largely executable in the 1st position.

The impressive work of an early composer. The timeless tonal beauty and the technical refinement should promote the rediscovery of the quintet.

First Edition

Frist Edition

The long out-of-print Serenade by the Würzburg master enriches the palette of unusual instrumentations with a playful, instrumentally finely graduated work.

Hoffmeister's chamber music for and with flute guarantees instrumentally equal enjoyable music-making at a high level of invention and expression.

Edited from the original edition.

Edited from the original edition.

Edited from the original edition.

The 'finely educated, humane, extremely modest artist' Hänsel gave us with the clarinet quartet one of the most attractive and valuable contributions of this genre.

First Edition.

First edition

The sonatas belong to the best of the Gebrauchsmusik in Rosenmüller's wake. Characteristic is the pseudo-polyphonic writing in dualism with concertante solemn homophonic intermediate movements.

An 'original' borrowing of the piece for viola and cello and piano, which is in no way inferior to the string version and acquires a distinctive tonal note in the instrumentation with harp.

A sonorous jewel by the great clarinettist of the Meininger Hofkapelle. The touching, simple singing of the slow movement is unparalleled.

The arrangement of Bach's 5th organ trio sonata for strings and suspended bass is ideally within the range of the violin and viola; octave shifts were not necessary.

Bach's 4th organ trio sonata, originally in E minor, was transposed by a third to C minor, and thus ideally adapted to the range of the violin and viola.