Partituras de música clásica para conjunto mixto

The rediscovery of the three flute quartets op.99 is an event. The tonal flair, the inimitable melodic melting of the movements are unparalleled.

Rarely has writing for flute quartet been so beguilingly beautiful and ingratiating in a minor key. The pre-Romantic jewel needs no recommendation for permanent appropriation.

This work in C major is the crowning finale of the edition of all 11 extant flute quartets. They WILL become common property for this instrumentation in the near future.

The '4 Lieder' of the Swabian Edele breathe a breath of Biedermeil charm. They are masterfully modeled on the romantic-programmatic ideals of their time.

A weighty contribution by cellist Dotzauer to the rare oboe quartet literature. Thanks to its melodic flow and the lightly swinging rondo finale, hardly any wishes remain unfulfilled.

Edited from the First Edition.

It is a stroke of luck that three of Wranitzky's trios that were thought to have been lost could be tracked down again in Eastern European libraries, including our graceful, lilting trio.

Edited from the first edition.

Among the 42 trio sonatas, these 6 occupy a special position: they are equipped with a basso continuo, whereby the basso parts marked 'solo', in which the keyboard instrument is silent, make the 'tran...

The duos of the blind Dulon, at that time 'the first flute traversist of Europe', are among the almost forgotten treasures, in which a bouquet of blossoming melodies and rushing figural play is presen...

First published around 1786, this work is a splendid example of chamber music with obbligato harpsichord that still bears late Baroque traits, evident in the alternating periods between solos and the...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...