Partituras de música clásica para conjunto mixto

Silvestrov thinks that a coda is more than something which brings a work to an end. It is one of the most important parts of a composition, or at least just as important as the other sections. His can...

There are two actors in the Partita: Mozart's piano, which is heard out in the open, and a harp, which acts as its backlight. A poetic idea emanates from these water-colour acoustics. It traverses thr...

In this, as in some of his other works, Raskatov strives to attain to a kind of timelessness. The music of 'Kaddish' (Prayer), which owes a great deal to its Hebrew origins, has certain archaic traits...

This composition is both a milestone and an interface in Silvestrov's work: it is the end of his 'avant-garde period' and the beginning of what he later calls 'metamusic'. The structure of the work is...

The edition is part of the Trinity syllabus 2007 (grade 7)

In The Woman and the Hare teilen sich Sopran und eine weibliche Sprecherin den Text, wobei jede in ihrer eigenen musikalischen Geschwindigkeit singt bzw. spricht. Die Beziehung zwischen diesen beiden...

These songs were originally composed as part of the cycle 'Les Illuminations op 18', but they were withdrawn by the composer. They have been edited by Colin Matthews from the composer's manuscript sho...

Das Stück Allegro ma non troppo wurde im Winter 1993/94 im Elektronischen Studio der Technischen Universität realisiert und zum 50. Geburtstag von Folkmar Hein, seinem langjährigen Leiter, in Auftrag...

Virtuosic, single-movement work of 15 minutes' duration commissioned for the Nash Ensemble and the 2007 Cheltenham Music Festival. Horn players may perform from the horn & piano reduction of the Conce...

This work in four movements is inspired by the work of the photographer Richard Avedon, in particular the following images: * The Duke and Duchess of Windsor, Waldorf Astoria, suite 28A, New York, Apr...

Béla Bartók's Sonata for Two Pianos and Percussion, composed in summer 1937 on a commission from Paul Sacher and premièred in Basel in January 1938, is incontestably one of the supreme creations of mo...

Die fünf Duette, die in diesen 5 Lessons eingerahmt werden, entstammen fünf Instrumentalduetten, die für Mitglieder der London Sinfonietta zwischen 2008 und 2014 komponiert wurden: The Message [Die Na...

Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...

First performed at the Wigmore Hall in 1921, Rebecca Clarke’s Trio has good claim to be considered her masterpiece. This expressive and emotionally complex score is one of the outstanding utterances i...

Recapture the lost elegance of a bygone age with this collection of popular classicas. Many of these charming pieces were firm favourites of the bands and orchestras that once graced hotel lounges and...

Recapture the lost elegance of a bygone age with this collection of popular classics. Many of these charming pieces were firm favourites of the bands and orchestras that once graced hotel lounges and...

Ariel is scored for basset clarinet, violin, cello and piano, and is a response to the poem of the same name by Sylvia Plath. Simpson reacted to the poem musically, jotting down the ideas for instrume...

Encargo del Festival de Música de Cámara de Santa Fe para celebrar su 50 aniversario en 2023. El compositor comenta que "este nuevo quinteto tiene nada menos que a Mozart y su K452 como punto de parti...

El propio Igor Stravinsky ayudó a arreglar la música de su ballet Pulcinella para dúos violín/piano y violonchelo/piano, dando a cada uno el título de Suite italienne, por lo que parecía bastante lógi...