Partituras de música clásica para conjunto mixto

Nonet, Op. 40, a Divertimento for nine wind instruments by Gustav Schreck (1849-1918), was published in 1905. In four movements, the music alternates between the beautiful sonorities of a wind ensembl...

Nonet, Op. 40, a Divertimento for nine wind instruments by Gustav Schreck (1849-1918), was published in 1905. In four movements, the music alternates between the beautiful sonorities of a wind ensembl...

Muy bellas composiciones de Beau Soir; Mandoline; Romance y Fantoches que han sido muy bien recibidas tanto por los intérpretes como por los oyentes. Se trata de composiciones muy sensibles. Canciones...

Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Pag...

Niccolò Paganini's (1782-1840) lovely Sonata Concertata for Guitar and Violin, Op. 61, MS 2, written in 1803, is more reminiscent of Mozart or Haydn rather than the Paganini of his 24 Caprices or Viol...

American composer Arthur Foote (1853-1937) was a member of the "Boston Six" and an advocate of Brahms and Wagner in the United States. His Sarabande and Rigaudon is written for oboe (or flute), viola...

Instrumentation: Oboe, Two Violins, Viola and Violoncello

Esta colección de cuatro canciones de George Butterworth (1885-1916) pone música a la poesía de William Ernest Henley para voz media y cuarteto de cuerda. En 1914, el compositor orquestó el acompañami...

Sergei Rachmaninoff's (1873-1943) 6 ROMANCES, Op. 4 was written for voice and piano between 1890-1893. Each of the six songs sets text by a different Russian writer. This edition of the beautiful four...

Jules Massenet (1842-1912) 10 PIÈCES DE GENRE, Op. 10, para piano en 1866. El número 5 de esa obra, titulado MÉLODIE, fue arreglado para voz y piano en 1872, con texto de Louis Gallet, y recibió el tí...

Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.

Amy Marcy Beach (1867-1944) compuso Tema y Variaciones, Op. 80 en 1916. En La menor, el tema va seguido de seis variaciones. Secciones: Tema: Lento di molto, sempre espressivo; Variaciones 1: L'istess...

Amy Marcy Beach (1867-1944) composed Theme and Variations, Op. 80 in 1916. In A minor, the theme is followed by six variations. Sections: Theme: Lento di molto, sempre espressivo; Variations 1: L'iste...

El célebre DOBLE CONCERTO de Brahms es una fantástica pieza para dos solistas brillantes e igual de compenetrados. Compuesta para el violonchelista Robert Hausmann y el querido amigo de Brahms, el vio...

This well-known aria "Le Bonheur est Chose Légère" (ICS 30) was part of Camille Saint-Saëns (1835-1921) four-act opéra fantastique Le timbre d'argent, which was written in 1865. This version for voice...