Partituras de música clásica para conjunto mixto

This atmospheric, sensitive piece for solo SATB (or small vocal ensemble) with optional string quartet was written by Timothy Raymond for the 2017 Lower Machen Festival. The contemporary harmonic lang...

This compact sinfonia is an early example of a true chamber sinfonia: that is, an offshoot of the Italian-style operatic overture intended from the start to be a free-standing composition for use in e...

Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...

Wolff's Concerto in G major for Flute, Strings and Basso Continuo encloses a wistful Largo in E minor between a stately Moderato and a sprightly, dance-like Allegretto. The solo instrument is treated...

Recall an event, then 're-tell' it in different ways: that is the raison d'être of Stephen Pratt's Telling the Tale. As the piece progresses, the focus slips away from the original event to become a l...

Bach's ever-popular harpsichord concerto in D minor (BWV 1052) has been recognized for nearly 150 years to be a transcription of a much earlier violin concerto in the same key, and reconstructions of...

Among Vienna's many composers and pianists of the time, Anton Eberl (1765-1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op. 10 No. 2, is the first...

Galuppi’s secular vocal chamber music comprises at least around ten works, in varied vocal and instrumental combinations, and belongs mostly to his final creative period. These compositions are of gre...

Galuppi’s secular vocal chamber music comprises at least around ten works, in varied vocal and instrumental combinations, and belongs mostly to his final creative period. These compositions are of gre...

Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...

Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...

Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...

Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/4–1760), born in southern Italy but permanently resident in Paris from 170...

Las sonatas en trío de Quentin impresionan por su dominio de todos los elementos de la composición musical, en particular el contrapunto (las fugas son una de sus especialidades). Mezclan de forma atr...

Las sonatas en trío de Quentin impresionan por su dominio de todos los elementos de la composición musical, en particular el contrapunto (las fugas son una de sus especialidades). Mezclan de forma atr...

De particular interés entre los numerosos conjuntos de dúos instrumentales compuestos por François Devienne es el quinto 'livre' compuesto por seis 'dúos concertantes' para el emparejamiento poco comú...

De los seis conciertos de Cervetto que se conservan manuscritos, cinco son para violonchelo, pero uno, que ha salido a la luz recientemente, es para flauta, una inteligente adaptación de una de sus so...

Este quinteto para dos violines, viola, violonchelo y piano, creado en 2024, se inspiró en los impresionantes paisajes de la región de los Alpes-Adriático. Desde la tercera montaña más alta de Esloven...

With its unusual combination of instruments, this early trio based on a motto from Else Lasker Schüler's poem Weltende, achieves considerable emotional impact through its rigorous structure.