Partituras de música clásica para coro femenino

I Am Light de Noah Reese es una poderosa balada SSA que celebra la fuerza interior, la resistencia y el resplandor. A través de afirmaciones audaces: "Me levanto, ardo, no me desvanezco... Soy amor. S...

Con letra de Wanetta Hill y música de Earlene Rentz, ¡Baila! ¡Ríe! Sing! rebosa encanto lúdico y una energía ligera y cadenciosa. Llena de alegres repeticiones, bromistas juegos de palabras y capricho...

Con letra de Tanya Mahesh y música de Brady Weldon, What If es una obra introspectiva e imaginativa de SSA que explora el miedo, la posibilidad y la esperanza. A través de imágenes evocadoras -escarch...

La composición de Meredith Tompkins de I Took My Power in My Hand de Emily Dickinson da vida a la audacia y la vulnerabilidad a través de una parte de piano y percusión convincentes. Las palabras de D...

Lo que comenzó como una reflexión personal sobre el crecimiento y la tutoría se ha convertido en el himno I Can Be Better. Esta pieza es una invitación a los cantantes para que abracen su narrativa vu...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Schumann verwendet für die Vertonung von 'Zigeunerleben' einen Rhythmus, der an einen Bolero oder Fandango erinnert, um dem Versmaß von Emanuel Geibel gerecht zu werden. Variationsreiche Stimmwechsel,...

Diese Sammlung von Sechs Liedern für Frauenstimmen enthält sechs relativ unterschiedliche Stücke, die sowohl in der Sprache ihrer Liedtexte (Finnisch und Schwedisch) als auch in Umfang und Besetzungs...

Winter, published by the renowned Carus-Verlag, captures the evocative and magical atmosphere of the cold season in exquisite harmony. Scored for three-part female choir (SSA) and piano accompaniment,...

Discover a magnificent gem of secular choral music for upper voices with the "Sechs Mädchenlieder op. 98". This expressive song cycle combines poetic sensitivity with a multifaceted musical language t...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

Coro SSMezAA

Coro SSMezAA