Partituras de música clásica para cuarteto de cuerda

We have rarely found compositions that are so beautiful and emotional. The sources for our editions are the undated first editions of the parts of both quartets pinted in 1862, which are preserved by...

We have rarely found compositions that are so beautiful and emotional. The sources for our editions are the undated first editions of the parts of both quartets pinted in 1862, which are preserved by...

The impetuous urge flowing through the work and the brilliant instrumentation enter into a symbiosis with the perfect harmonic-melodic shaping, culminating in the final chorale.

These quadros, endowed with contrapuntal subtleties, also disprove the preconception of the dry fugues of the great Viennese master. Easy to execute.

The quartets of the 'almost' forgotten master bear witness to an impressive and eternally timeless tonal-painterly beauty and ingenious compositional style. Access with courage.

Each of the three quartets offers the players highly romantic 'equal' pleasure, with the technical demands of playing kept within bounds. The pieces are repertoire-worthy.

Edited from the first edition.

The creative impetus, the variability of expression, the never flagging inventiveness can also be found in these 6 quartets 'with 2 violas'. A ravishing 'instrumentation variant' for all violists!

Fiala's works, schooled in Haydn, offer melodic sweetness, clean movement with fine dynamic shading, as may be audibly recreated in our viola quartet, bathed in a 'deeper warm tonal language'.

Edited from the First edition.

First Edition

Edited after the first printing.

Bazzini's 5 quartets, written in classical formal rigor and coupled with the romanticizing 'Italianita', still indulge in virtuoso attitude, with modest technical playing requirements.

First Edition

First Edition

First Edition

First Edition

This 9th quartet deserves the crown: the mixture of dramatic attiude and enchanting melodic violin to the point of sentimentality serves the bel canto in an inimitable way. Predestined for the prelude...

First edition

Edited from the first edition.

In Bergamo, his native city, where Donizetti learned to admire the masterpieces of the Viennese classics as a 'violist', it required him to emulate the style of Haydn, Mozart and Beethoven, which he s...

Edited from the original edition