Partituras de música clásica para oboe

In the Ant Hill, the Ant Queen, the Wicked Spider, Marching Up and Attack, the Queens Wedding Flight, Finale: these are the 6 short movements of the trio which tells a little tale. In the first three...

Vol. 2 - Step by step introduction from basics - Covers a range from B-flat to F3 - Tips for good posture, breathing, trills, practice methodology - Exercises for fingers, vibrations, technique, breat...

The oboe part is relatively easy, but it is a 'real' organ part with an important pedal part.

First Edition

In the opening movement, characterized by fresh inspiration and youthful vigor, the principle of the sequence of motives borrowed from the Baroque concerto still predominates. The dynamically demandin...

A captivating work by the Swiss Schaeuble, who created a grateful tone painting balanced in substance and form, not too heavy in the time of upheaval.

First Edition

The thematic structure of Platti's chamber music fluctuates between late baroque patheticness with sharply accentuated rhythm and 'fashionable' cantabile. For the oboe: wide tonal scale.

With his Opus 2, composed in 1889, Nielsen succeeded in a highly regarded prelude to his work, which made him the most popular composer in Denmark after Niels W. Gade. They perfectly reflect the most...

Edited from the original edition

Edited from the original edition

Godard knew how to deliver a wealth of tone paintings and fantasies of enchanting elegance, reflecting the characteristic sound-specific impetus on the melodic instrument in question. The pieces of th...

Edited from the first Edition.

Edited from the first Edition.

Edited from the First Edition

This sonata makes the most of the oboe's tonal and technical possibilities: the characteristic sweetness and clarity of its tonal language is combined with a depth of expression that gives the piece l...

Edited from the original edition. Aubade villageoise g minor; Mélodie A major; Patorale F major.

Fasch proves himself to be an outstanding contrapuntalist in his instrumental pieces, which, although still rooted in the Baroque, in their essence as transitional works, and without abandoning polyph...