Partituras de música clásica para orquesta de cuerda

Especially for school orchestras, this edition offers violin III as alternative for the viola part.

A one-movement piece full of atmosphere from the pen of the most important Spanish com-poser of the 20th century. The solo part which is very easy intonates a siciliano-like melody.

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

The famous elaborate film opus The Saragossa Manuscript by Polish director Wojciech Jerzy Has revels in montages of time and space to which Penderecki's electronic sound landscapes contribute to the m...

A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.For inclusion in a concert...

A double concerto which musicians can really enjoy playing, written by a distinguished composer, presenting soloists with rewarding material well suited to their instruments.

Harald Genzmer, born in 1909, wrote his often-played Sinfonietta for chamber orchestra in 1953. His new 3rd Sinfonietta (2002) is also aimed at amateur orchestras, though it offers worthwhile challeng...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

Harald Genzmer has done a great deal for the promotion of young musical talent, and no doubt many a string instrument player can recall from their school orchestra days when his Sinfonietta was on the...

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

Perfect example for an early symphony in the Neapolitan style.

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as wel...

Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as wel...