Partituras de música clásica para orquesta

Zweite Fassung mit der Fuge 'Cum Sancto Spiritu' aus der ersten Fassung und einer Variante des 'Osanna' Soli SATB, Coro SATB, Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences - after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

Alrededor de 1900, Rheinberger tenía constancia de unas 150 representaciones de su Christoforus tanto en su país como en el extranjero, una historia de éxitos que no terminó hasta el siglo XX. Con la...

Experience a magnificent masterpiece of sacred choral music: The "Requiem in B-flat minor, Op. 60" captivates with its profound expressiveness, rich harmonies, and masterful polyphony. Scored for solo...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C major for the ceremonial exequies of the deceased Elector Friedrich August II in November 1763 in the...

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...

Hasse's much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for whic...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...