Partituras de música clásica para orquesta

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

For the first time clearly the 'version last hand

For the first time clearly the 'version last hand

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...