Partituras de música clásica para piano clásico

Variation form occupied Beethoven throughout his composing career. This first volume of G. Henle Publishers' two-volume edition of all his piano variations includes works from Beethoven's time in Bonn...

Bach most likely composed his Toccatas in his early creative years, between 1707 and 1713; they can be seen as the products of Bach‘s own 'Sturm und Drang' period, and were not planned as an interconn...

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. For his Norwegian Dances op. 35, presented here in an Urtext edition, Grieg took old folk tu...

Johannes Brahms's piano sonatas were among the 20-year-old composer's first publications. They were written in 1852-53, with the slow movement of this C major Sonata, which uses the song 'Verstohlen g...

Johannes Brahms's Piano Sonatas opp. 1, 2 and 5 were among the first works that the 20-year-old composer published. They were composed in 1852/53, although the Sonata in f-sharp minor was apparently t...

The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Part...

Johannes Brahms's piano sonatas opp. 1, 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms's visit...

With his 66 Lyric Pieces Edvard Grieg created a multifaceted treasury of piano miniatures and character pieces. Many have become piano classics, none more so than The Wedding at Troldhaugen, which Hen...

The Fifteen Variations (with Fugue) op. 35 composed in 1802 are known primarily by their sobriquet 'Eroica Variations' because the theme is also used in the finale of the Third Symphony. Together with...

The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Part...

In 1735 Johann Sebastian Bach published his French Overture BWV 831 together with the famous Italian Concerto as the second part of his 'Clavier-Übung'. The designation Ouvertüre (Overture) can be som...

Along with his major cycles such as the English and French suites, the Goldberg Variations or the Well-Tempered Clavier, Bach also left a wealth of single pieces with a great diversity of titles; they...

The fantasy played a relatively small role in the piano music of Viennese Classicism. Beethoven's sole contribution is perfectly suited to its genre designation in that the work, written in 1809, prov...

At first glance, this spirited work does not seem to fit the picture that Beethoven's contemporaries have passed down to us; this is why the work was long looked upon deprecatingly as a 'salon piece'....

This work, in two movements and dating from 1804, is clearly among the lesser-known of Beethovens 32 piano sonatas. The lack of a sonata-movement form, the old-fashioned heading 'In Tempo d'un Menuett...

Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...

The Nocturne in e minor was written as early as 1827, and is among the Chopin juvenilia that were published only after his death. Julian Fontana, Chopin's long-time confidant and assistant in all area...

The 'Polonaise-Fantaisie' is among Chopin's last great piano works, and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which...

Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy - with a twinkle in his eye - to produce his piano waltz 'La plus que lente' ('The Slower-than-S...

Debussy intentionally did not place titles at the top of his Préludes for piano (HN 383), published in 1910, but merely wrote them at the end and in parentheses - almost as a belated comment on the pi...

With Frédéric Chopin's Fantaisie-Impromptu in c-sharp minor, G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music...

Chopin's waltzes were - contrary to, say, those by Schubert - no longer conceived for dancing or for the ballroom. These pieces assumed the form and function of idealized concert waltzes, which Chopin...

The fact that Chopin's waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the 'Grande Valse' op. 42. The main them...

This virtuoso etude has been given the nickname 'Black Key Study' by pianists, since, apart from one single f in M. 66, the right hand does not touch a single white key. This gives the harmony a penta...