Partituras de música clásica para voces

Prefacio: Todo empezó con La reina de picas en 1887, cuando Modest Tchaikovsky se propuso escribir un libreto de ópera basado en la famosa novela de Alexander Pushkin de 1833 para el más bien insignif...

Samson, an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes. Edited by Donald Burrows. This latest addition t...

A text by Grahame Davies for soprano and harp, first performed by students from the Royal Welsh College of Music and Drama, at Buckingham Palace, London, in the presence of HM Queen Elizabeth II and m...

'My latest piece has a rather nice story attached to it. I was asked by my good friend Helen Charlston if I would set a poem she had written called '18th April'. This date has special significance, as...

A setting of five late poems by Friedrich Hölderlin written under his pseudonym Scardanelli. Described by the composer as Cantata for mezzo soprano and piano, the 20-minute piece explores the full ran...

Composed for Jane Manning and Barry Guy for an Arts Council Tour with the first performance on 7th December 1972. The words are from ‘To His Coy Mistress,’ by Andrew Marvell.

Para mezzosoprano y piano, Waka es un ciclo de canciones en cinco partes basado en traducciones de la poesía japonesa Waka. Los poemas, breves y elípticos, son en su mayoría frases sueltas, tratan tem...

The five song set the texts As I pass at dusk (Robert Kent), The day is gone (John Keats), Carol (C Day Lewis), Come live with me (C Day Lewis), and To my brother (Siegfried Sassoon). Also available f...

Twelve songs from Handels' Oratorios, edited by Alberto Randegger for Soprano.

Songs from Figaro, for Soprano. Edited by Alberto Randegger.

This volume for High voice. Edited by Gerald Cooper.

Fifteen Songs And Airs for Contralto or Baritone with piano accompaniment. Edited by Gerald Cooper.

Grand opera in three acts for unaccompanied solo soprano singing eight roles. This work was commissioned by Jane Manning, and first performed by her 17 May 1979. Duration: c. 10 minutes.