Partituras de música funeraria

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Anders als bei den sonstigen Oratorienkompositionen Bachs gibt es für die "Johannes-Passion" keine endgültige Werkgestalt. So stellt die heute gängige erste Fassung von 1724 eine Mischung verschiedene...

As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...

As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...

As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...

As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...

Für Soli, SATB, Orchester (2 Ob, Fg, 2 Vl, 2 Gamben, Vc) und Orgel.

Para solista, SATB, orquesta (2 obb, Fg, 2 Vl, 2 violas da gamba, Vc) y órgano. La partitura está protegida contra copia para copias individuales. Sólo se omite si se adquiere al mismo tiempo la parti...

The moving funeral cantata 'Ich hab hier wenig guter Tag', published by Dr. J. Butz Musikverlag, captivates listeners with its profound emotional depth and expressive warmth. The work scores vocal sol...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...