Partituras de música latina para Big Band

This well-known composition by Horace Silver is written in a moderate Latin style. Mark's version is based on Horace's own classic arrangement and features some very nice ensemble writing. Includes a...

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensem...

Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

Written in a soft Latin style, here is an attractive setting for solo flugelhorn on this Richard Rodgers favorite. The range is very comfortable for young players and all of the solo lines are written...

Hot Latin sounds from Gordon Goodwin's Grammy-nominated CD Big Phat Band - Swingin' For The Fences! Flute and trumpet are featured in the beginning on the playful melody, but the entire ensemble gets...

Recorded by the group Big Bad Voodoo Daddy, this is a great medium-tempo mambo to add a little Latin spice to your program. Roger's excellent chart features distinctive melodies, solos for tenor and/o...

The music of Vince Guaraldi is always melodic and fresh sounding and you will probably recognize this from the TV Charlie Brown specials. Arranged here in a moderate samba style, the opening theme is...

This familiar standard has been around for years, and is creatively set here in a medium swing style by Paul Murtha. The trombone section is featured in the beginning and is followed by the trumpet se...

The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh neighbor Mike Tomaro pays tribute to this most famous of musical themes in this l...

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

Made famous by Buster Poindexter, this perennial dance hit is loaded with Latin excitement and rhythmic drive. The trombones and saxes share the spotlight in this hot chart from Roger Holmes.

This medium slow standard provides a nice introduction to Latin style for young players. Solo sections are based on easy scales and the rhythm section groove is completely written out. Online Audio av...

From John La Barbera's latest big band recording, here is the title cut - a masterful arrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a weal...

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

Written in a Latin style, this moderately paced chart includes a creative harmonic structure in minor and a flowing melody with counterlines. Nicely scored for the entire ensemble, this will make even...

After an initial explosion of brass, the rhythm section settles into a Rumba Flamenco groove and the chart really starts to cook. The saxes get a workout on this one supported by hot brass lines. Incl...

Supplementing the Essential Elements Jazz Ensemble Method, this extremely playable Latin number evokes the sea and the beach. It has interesting harmonies, appealing rhythms, and features a very appro...

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

It's not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a s...

Jerome Kern's classic ballad in an attractive setting for little big band arranged here as a cha-cha.

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...