Partituras de música sacra

William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...

A joyful choral work that ebbs and flows, brought to a close by a lilting unity of voices.

This work builds up from just a few voices into a chorus of joyous celebration of the three miracles of the Epiphany: the Magi being led to Jesus' birth, water being changed into wine, and Jesus' bapt...

Evocative and moving polyphony paired with a text meditating man's relationship with God.

Evocative and moving polyphony paired with a text meditating man's relationship with God.

A surging choral work with distinct punctuated vocal lines, often with a leading tenor part.

This famous text is set to richly textured music filled with graceful melodic shapes.

A rousing celebration of Christ's ascension to Heaven featuring fantastic runs of notes shared between the voices.

Fresh, crisp and full of life, this work is the perfect setting for the jubilant words recounting the descent of the Holy Spirit upon the Apostles.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

This work by Palestrina is both deeply reflective and notable for its warm mellifluous texture that ponders on series of long, held notes.

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem; you'll find imitative passages, melodic and rhythmic motifs, sections requiring preci...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

With a newly written text by Angier Brock, this compelling anthem by Cecilia McDowall is a welcome addition to the traditional Easter repertoire. Easter Light explores a variety of styles and colours,...

Inspired by A. E. Borthwick's painting of the same title, The Presence sets lines from Psalms 18, 27, 36, 112, and 119 mainly concerned with light. While suitable for services and concerts throughout...

The text for this part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Jackson's setting features many of his stylistic hallmarks: glissandi, melismas, aleatoric patterns,...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

For unaccompanied SATB.

Aspire to God, my soul sets a macaronic text by Canon John Dilnot. This anthem is optimistic and uplifting, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility...

This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet move...

This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that...

This anthem sets biblical words that explore love and kindness. The opening section creates a mood of hopefulness, and the central section is built around the words 'Be kind, tender-hearted, one to an...