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The quirky style of The Look perfectly complements the nature of Sara Teasdale's poem, which reminisces on past romances. The melody is catchy and colourful, with a stylistic ornament that gives the p...

Taken from a suite of three pieces by Cecilia McDowall called Lonely Hearts, composed in 2005, this is a light and energetic setting of a whimsical text by Christie Dickason about a lonely hearts colu...

I will sing and raise a psalm has a text from St Francis of Assisi and works well as a concert piece or as an anthem. The music is rewarding for organist and choir alike. The conclusion, with its evoc...

Ursprünglich 1996 geschrieben für Chor SSAA und oft gesungen vom Andrej Vavken Frauenchor meiner Heimatgemeinde, bildet das Werk in der Mitte einen Spiegel, indem musikalische Motive des ersten Teils...

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

This stunning setting of Revelation 22:12-13, 17, describes Christ's generous offering of grace to 'whoever is willing'. The piece begins with a lively opening but quickly shifts into a gentler mood,...

Uses: Children, General, Youth Scripture: Psalm 72:3, Isaiah 48:18, Isaiah 66:12 Here is an encouraging and positive statement of faith that will raise spirits from despair to hope. Taken from the ins...

From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

Based on Psalm 95:1-3

It would be more appropriate to label this piece as a composition for piano and divisi treble voices because the accompaniment is equally significant to the singers. A stimulating and thought-provokin...

Now adapted for SSAA by Richard Gabrillo, Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradua...

Known for his unique pairing of songs, Craig Hella Johnson has creatively combined the early contemporary Christian song by Larry Norman and Randy Stonehill with the popular favorite from the '60s. A...

Now available in men's and women's voicings! For choirs up to the challenge, this exciting setting of the popular Christmas song features extensive divisi and dynamic range.

Honest, authentic, heartfelt - these are the words that come to mind with this plaintive folk setting for SSA voices. Perform it a cappella, or accompanied by guitar or piano, this selection will insp...

This setting by acclaimed African American writer Paul Laurence Dunbar is in the style of a lullaby, reflective and lyrical. With the flute obbligato evoking the singing bird, the text beckons the lis...

Use your community network to find a banjo player and add some Appalachian flavor to your concert with this fresh setting! A fun novelty feature with banjo and percussion, you can supplement it furthe...

Written for the 2014 Kentucky ACDA Junior High Girls Honor Choir, this Appalachian nonsense song is a whirling, twirling kaleidoscope of sound. An excellent showcase for treble choirs in middle school...

Your high school or university women's chorus will be thrilled with this arrangement of a Brazilian folk song about the bamboo tree. Set for SSAA unaccompanied voices, the challenging work is well wor...

This swingy song is absolutely irresistible! Written for three equal voices, this selection begins in unison, expands into harmony, then layers the three melodies before a modulation and return of the...

This expansive work for treble voices gives singers the opportunity to develop their full vocal potential and expressiveness. Voices dialog with each other, with the piano accompaniment and with the f...