Partituras de trío de cuerda

Estas piezas, que se publican aquí por primera vez, fueron compuestas por Hindemith para el festival «Música nueva en Berlín 1930», ocasión en la que se presentó por primera vez al público el trautoni...

This substantial mature work shows the superb mastery of one of Germany's foremost contemporary composers. Henze, renowned for his lush orchestral textures and sensuous sonorities, aims for similar mu...

At first sight, this publication appears to be a collection of pieces, for the technical studies, not too attractive but so characteristic of tutors, are missing. Yet the selection of the works, their...

1. Ricercar (Orlando di Lasso) 2. Motet (Giovanni Pierluigi da Palestrina) 3. Madrigal (Adam Gumpelzhaimer) 4. Air (Anonyme) 5. Gavotte et Gigue (Anonyme anglais) 6. Hymne (John Stanley) 7. Voluntary...

Das Streichtrio wurde im Sommer 2019 komponiert und war ein Auftragswerk des Sanary sur Mer Festivals. Es ist der Bratschistin Françoise Gnéri gewidmet. Mit einer Dauer von 12 mn 30 besteht es aus dre...

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of...

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of...

Following the first two volumes of Haydn's string trios in a study score (HN 9424 und 9425), we are now publishing the third and final one. Although Haydn is said to have composed about 60 string trio...

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and t...

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and t...