Partituras de trío flauta

As a composer, Anton Bernhard Fürstenau confined himself to his own instrument. He created a wealth of pedagogical, soloistic and chamber music works of considerably higher quality than those composit...

Lidarti was born in Vienna in 1730. Biographical notes unanimously report that he originally devoted himself to philosophy, while his uncle reproached him of being an amateur in the musical domain. It...

As the originals were arranged for female voices, the canons by Johannes Brahms are - except for a few necessary transpositions - well suited for a transcription, all the more so since there are few r...

If only for their intended use as chamber music, Fürstenau's flute trios (op.14, 22, 66 and 118) can by no means be labelled pieces of hollow virtuosity. In particular, the integration of fugues shows...

Mozart composed this sonatina for piano and violin (or flute) in London when he was eight years old. The arrangement of the Allegro presented here is quite easy and can be rehearsed in a short time. I...

Dieser pfiffige Ragtime wurde den Mitgliedern des Vereins 'Freunde der Querflöte' auf den Leib geschrieben. Er ist so komponiert, dass er für zwei, drei oder vier Flöten spielbar ist, auch eine choris...

Spielliteratur mit leicht musizierbaren klassischen Stücken, Liedern und Spielstücken aus aller Welt als spannende Ergänzung zu der erfolgreichen Querflötenschule 'Flöten queren 2' von dem Erfolgsteam...

How Can I Keep From Singing is a lovely, quiet melody, often ascribed to the Quaker tradition, but written by a Baptist minister. It opens and ends with a lovely alto flute solo (alternately playable...

An amazing 4-movement composition for solo flute (piccolo, C flute, alto flute) and flute sounds. The performance CD contains manipulated flute sounds and a complete listening version. Winner of the n...

Ergänzungsband zu Trios for Flutes von John Cacavas mit Folkstücken, Weihnachtsliedern und Originalmelodien vieler verschiedener Stilrichtungen raffiniert für Querflöten-Trio bearbeitet.

The title of this challenging trio is borrowed from a sculpture by Antonio Canova of the three sister goddesses Aglaia, Euphrosyne and Thalia - the dispensers of beauty, charm and grace.

This two movement work is part of a large body of chamber music that Haydn wrote for the pleasure of the Esterhazy court during the late 1700's. The cello may either double or supplant the alto part.

The four sonatas are from Corelli's 12 Sonatas da chiesa Opus 1, and 12 Sonatas da camera Opus 2, two sonatas from each set. This set of 4 trio sonatas does away with the keyboard continuo part and le...