Partituras de violín Henle

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

The 'little' D-major Violin Concerto has no need to hide behind its 'big sister', K. 218. Not only does it challenge the player's technique, it's a masterpiece of the first order. Henle's edition stan...

This is not only Mozart's first concerto for the violin but his first concerto altogether. He composed it at the age of 17, writing it in Salzburg in 1773 two years before his other four violin concer...

For years Henle has been issuing urtext piano reductions of Mozart's works for violin and orchestra at six-month intervals. Now the time has come for the three single movements. These incomparable tre...

Once again, Henle can boast of an important new addition to its Pantheon of great composers: Ernest Chausson. Based on a novella by the Russian novelist Ivan Turgenev, the Poème for violin and orchest...

The Sonata in G major owes its epithet 'Rain Song Sonata' to two melodies from Brahms' 'Rain Songs' op. 59 nos. 3 and 4 which are quoted at the beginning of the last movement. An ornamental leaf with...

They are in a light style, intended more for use in the home than for concert performance'. Thus Smetana described these two duets in which he memorialised his Bohemian homeland. It is a fact, though...

A pearl in the romantic repertoire, Bruch's 'Romance” has long occupied a permanent place in its original version for viola, whether in lessons or on the concert stage. Our edition is the first to tak...

There is no other chamber-music genre for which Mozart produced so many works - see the sonatas and variations - than that of the duos for piano and violin. He spent a considerable amount of time with...

In 1849 Schumann endowed three wind instruments with chamber music works: the clarinet with the 'Three Fantasy Pieces' op. 73, the horn with the 'Adagio and Allegro' op. 70 and the oboe with the prese...

The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and Alma Mahler, with whom...

Ludwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer ca...

Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and...

Solo sonatas written in Italy in the early decades of the 17th century dazzle with originality, imaginative impulses and instrumental virtuosity - aspects that have all been taken into consideration w...

The names of the composers included here read like a 'Who is Who' of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda, J. Stamitz,...

These three separately transmitted sonatas hide some attribution problems. BWV 1020 (the Sonata in g minor) is quite possibly by Bach's son Carl Philipp Emanuel, and today is mostly played on the flut...

Urtext edition, paperback with one marked and one unmarked string part At the first performances of the sonata, written between 1920 and 1922, even close friends of the composer were disturbed: after...

Johannes Brahms's three famous sonatas op. 78, 100 and 108 are among the most beautiful that the violin repertoire has to offer. Wouldn't it be wonderful if Brahms had actually composed more for this...

Bach's six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones...

Johann Sebastian Bach's Sonatas and Partitas, Nicolò Paganini's Capricci and the Sonatas op. 27 by Eugène Ysaye - the key works in the repertoire for unaccompanied violin are available in Urtext editi...

In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided...

Fingering Piano: Pascal Rogé Fingering Violin: Ernst Schliephake Fauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure...

It is said that Saint-Saëns was inspired to write the main theme of his Havanaise by the crackling fireplace in a hotel during a tour in the fall of 1885 with the later dedicatee Rafael Diaz Albertini...